Beverly Hills, 90210 - The Third Season

Beverly Hills, 90210 - The Third Season Review

Beverly Hills, 90210 - The Third Season Feature

• Beverly Hills, 90210 - The Third Season

Beverly Hills, 90210 - The Third Season Overview

One of the definitive, landmark shows of the 1990s, "90210" quickly became an important fixture on the FOX and in the popular discourse of adolescents and young adults. The third season’s main characters, Dylan, Kelly, Donna, Steve, David, Andrea and twins Brandon and Brenda all attended West Beverly Hills High School. Brandon and Brenda Walsh and their parents, transplants from Minneapolis were the stable nuclear family with strong values; their home was a safe haven for the whole gang and the center of much of the drama. The show dealt with a steady stream of love triangles and other romantic entanglements and occasionally touched on more serious issues as well.

Beverly Hills, 90210 - The Third Season Specifications

Things continue to plug along at a rapid and highly dramatic pace in season three for the privileged teens of Aaron Spelling's 90's TV classic Beverly Hills 90210. This season the gang tackles eating disorders, gambling addiction, birth, death, incest, infidelity, car accidents, racism, homelessness, and one whopper of a love triangle, along with, of course, the standard high school fare of college applications, SAT scores, and graduation anxiety. 90210 continues to revolve around Minnesota transplants Brandon (Jason Preistley) and Brenda Walsh (Shannon Doherty), though with every season the twins’ Midwestern roots seem to matter a little less. The summer before senior year begins with Brenda and boyfriend Dylan McKay (Luke Perry) still deeply in love, much to the chagrin of Brenda's disapproving parents. To force a little distance, they send Brenda to Paris for the summer with Donna (Tori Spelling), herself the subject of an enjoyable and incredibly absurd French modeling subplot—while halfway around the world Dylan and Kelly Taylor (Jennie Garth) discover a growing mutual attraction and begin an illicit summer fling. But it’s clear the love triangle between Dylan and best friends Brenda and Kelly remains the heart of the show. Taking a break from all the drama, there are some entertaining subplots this year, many of them involving surprising guest stars (before they were stars), including Peter Krause (Six Feet Under), David Arquette (Scream), and Dean Cain (Lois & Clark).

As in the first two seasons released on DVD, the lack of the original early 90's music is a major disappointment, but the entertainment value doesn't suffer for it. The highlight of the special features is the return of VH-1's Best Week Ever's John Aboud and Michael Colton. The two comedians' hilarious lampooning of season three in "Everything You Need to Know About Beverly Hills 90210 - Season Three" gently mocks some of the more outlandish dream sequences, Brenda's horrible french accent, and of course, the ridiculousness of many of these highly entertaining but entirely silly plot-lines. Beverly Hills 90210 - Season Three is addictive as ever and incredibly fun to watch - a time capsule, over-the-top soap opera and teen drama trailblazer all rolled into one. --Kira Canny

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John Wayne - An American Icon Collection (Seven Sinners/ The Shepherd of the Hills/ Pittsburgh/ The Conqueror/ Jet Pilot)

John Wayne - An American Icon Collection (Seven Sinners/ The Shepherd of the Hills/ Pittsburgh/ The Conqueror/ Jet Pilot) Review

John Wayne - An American Icon Collection (Seven Sinners/ The Shepherd of the Hills/ Pittsburgh/ The Conqueror/ Jet Pilot) Overview

John Wayne remains, without a doubt, a legend of the silver screen and one of Hollywood's most talented and versatile leading men of all time. See "The Duke," with his rugged good looks and undeniable charm, take command of the screen in the amazing collection of five unique films from his long and illustrious film career. This must-own set confirms John Wayne's status as a true American icon!

John Wayne - An American Icon Collection (Seven Sinners/ The Shepherd of the Hills/ Pittsburgh/ The Conqueror/ Jet Pilot) Specifications

He was no one's (including his own) idea of a great actor--one senses that the one Oscar he won, for True Grit in 1970, was as much for his longevity as his talent--but "icon" is an apt description for John "Duke" Wayne, who starred in scores of movies in a career that spanned 50 years. Five of them are collected on John Wayne - An American Icon Collection, a two-disc, no-frills (as in no bonus material) set offered at a very reasonable price. Ranging from 1940 to 1957, these items reveal that although he didn't have a lot of range ("I play John Wayne in pretty much every film I do," he once admitted), Wayne was at least willing to tackle other genres besides the Westerns with which he's so closely identified; here he portrays a coal miner, a moonshiner, and a legendary warrior, along with the more expected military roles. As for the quality of the films, let’s just say that "good" and "entertaining" don't always go on the same page, and the set at least has plenty of the latter. Seven Sinners ('40) is the best of the lot, with Marlene Dietrich sly and radiant as the delightfully named Bijou Blanche, a South Pacific cabaret singer who tantalizes naval officer Wayne. At the other end of the spectrum is The Conqueror ('55), generally regarded as Wayne's worst feature ever, but even it is a campy hoot. Sporting a Fu Manchu 'stache and many silly hats and delivering some preposterously stilted dialogue ("Hi, Mom" becomes "I greet you, my mother!"), Wayne plays Mongol warlord Temujin, soon to become Genghis Khan, who's obsessed with a beautiful princess (Susan Hayward as a Tartar? Mayonnaise is more like it) who just happens to be the daughter of the man responsible for the death of Temujin's father. Pittsburgh ('42), again pairing Wayne with the luminous Dietrich, is considerably better, charting the rise, fall, and redemption of miner-turned-captain-of-industry Charles "Pittsburgh" Markham in a story that's both humorous and dramatic before devolving into flag-waving World War II propaganda. Neither The Shepherd of the Hills ('41), sentimental hokum about a clan of drawling, superstitious Ozark hicks, nor Jet Pilot ('57), with a pre-Psycho Janet Leigh as a Russian spy (!), ranks as what you'd call a classic--indeed, there are no classics to be found anywhere here--but the Duke, always a man's man, probably wouldn't mind. "When people say a John Wayne picture got bad reviews," he said, "I always wonder if they know it's a redundant sentence, but hell, I don't care. People like my pictures and that's all that counts." --Sam Graham

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