Tuesday, May 31, 2011

GoodFellas

GoodFellas Review





GoodFellas Feature


  • Condition: New
  • Format: DVD
  • Dolby; AC-3; Widescreen; Closed-captioned; DVD; Subtitled; Color; Dubbed; NTSC



GoodFellas Overview


When Martin Scorsese, one of the world's most skillful and respected directors, reunited with two-time Oscar-winner Robert De Niro in GoodFellas, the result was one of the most powerful films of the year. Based on the true-life best seller Wiseguy by Nicholas Pileggi and backed by a dynamic pop/rock oldies soundtrack, critics and filmgoers alike declared GoodFellas great. It was named 1990's best film by the New York, Los Angeles and National Society of Film Critics. And it earned six Academy Award nominations, including Best Picture and Best Director. Robert De Niro received wide recognition for his performance as veteran criminal Jimmy "The Gent" Conway. And as the volatile Tommy DeVito, Joe Pesci walked off with the Best Supporting Actor Oscar. Academy Award nominee Lorraine Bracco, Ray Liotta and Paul Sorvino also turned in electrifying performances. You have to see it to believe it - then watch it again. GoodFellas explores the criminal life like no other movie.


GoodFellas Specifications


Martin Scorsese's 1990 masterpiece GoodFellas immortalizes the hilarious, horrifying life of actual gangster Henry Hill (Ray Liotta), from his teen years on the streets of New York to his anonymous exile under the Witness Protection Program. The director's kinetic style is perfect for recounting Hill's ruthless rise to power in the 1950s as well as his drugged-out fall in the late 1970s; in fact, no one has ever rendered the mental dislocation of cocaine better than Scorsese. Scorsese uses period music perfectly, not just to summon a particular time but to set a precise mood. GoodFellas is at least as good as The Godfather without being in the least derivative of it. Joe Pesci's psycho improvisation of Mobster Tommy DeVito ignited Pesci as a star, Lorraine Bracco scores the performance of her life as the love of Hill's life, and every supporting role, from Paul Sorvino to Robert De Niro, is a miracle.

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Saturday, May 28, 2011

Sharpe's Peril

Sharpe's Peril Review





Sharpe's Peril Feature


  • Sean Bean returns to his iconic role as Sharpe for a new adventure in India. But this time, the bad guys are closer than he thinks. It's India, 1818 and Lt. Col Richard Sharpe and Sergeant Major Patrick Harper are traveling across India, escorting the beautiful Marie-Angelique Bonnet to meet her fianc e. While in bandit-plagued badlands, they come across the very dregs of the Crown's troops an ill



Sharpe's Peril Overview


SHARPE'S PERIL - DVD Movie


Sharpe's Peril Specifications


The rollicking Sharpe's adventures, based on the wildly popular British books by Bernard Cornwell, continue in fine form, with the splendid Sean Bean once again appearing as the buccaneering Richard Sharpe, in Sharpe's Peril. Fans of epic adventures, British history, and even the cheeky heroics of James Bond will enjoy the panoramic historical sweep of Sharpe's Peril, and the weary knowingness in the performance of Bean, a quick-witted leader of the King's Army under the most dire of circumstances, yet also a ladies' man who seems to have no problem finding romance in the roughest of war zones. Sharpe's Peril follows our good Colonel Sharpe as he has finished his tour of duty in 19th-century India, as the British Empire is on the rise. But just as he thinks he's en route back to England, circumstances draw him into one last, ferocious battle--against an Indian warlord, with might and terror on his side. As Sharpe fashions a makeshift army from unlikely, unprepared fellow travelers, the adventure unspools at a furious pace. Bean, whose ruggedly handsome face is now synonymous with the colonial titan Sharpe, manages to play nuance in his face, showing that Sharpe is growing battle-weary, yet is unable, or unwilling, to resist one last challenge. Though Sharpe's Peril, like all the Sharpe's series, was shot for BBC TV, the production has spared no expense, and the experience is like watching a splendid film--with vast vistas of rugged landscape showing the wilds of 19th-century India, grand costumes, elephants, and battle adventures galore. And Sharpe still has a way with the ladies--multiple subplots allow for Sharpe to have his head turned--and face slapped--by all manner of lovely English noblewomen (including Marie-Angelique Bonnet, played by the comely American-born actress Beatrice Rosen) in the farthest outposts of colonial India. With the sweep of American Westerns and David Lean epics, and the cheeky heroics of the Bond films, Sharpe's Peril is a rip-roaring adventure. --A.T. Hurley

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Tuesday, May 24, 2011

SciFi Classics 50 Movie Pack Collection

SciFi Classics 50 Movie Pack Collection Review






SciFi Classics 50 Movie Pack Collection Overview


Get an instant library of classic science fiction features on twelve double-sided DVDs. You'll be transported to a time where cosmic heroes battled and prevailed in the face of cheesy special effects, implausible plots and a lot of over acting. In other words, you have all the right ingredients for endless hours of fun, all for an amazingly low price!


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Monday, May 23, 2011

Dragnet 1967 - Season 1

Dragnet 1967 - Season 1 Review





Dragnet 1967 - Season 1 Feature


  • Condition: New
  • Format: DVD
  • Color; DVD; Full Screen; NTSC



Dragnet 1967 - Season 1 Overview


No Description Available.
Genre: Television
Rating: NR
Release Date: 7-JUN-2005
Media Type: DVD


Dragnet 1967 - Season 1 Specifications


"This is the city--Los Angeles, California." "I carry a badge." "My name's Friday." And who could forget "Just the facts, ma'am"? These lines, delivered in classic deadpan style by actor-director Jack Webb's Sgt. Joe Friday, are among the hallmarks of Dragnet, one of television's earliest and most influential police dramas. And the appearance on DVD of all 17 episodes from the show's first season (1967), covering two discs (plus a third with a radio broadcast from 1954) and running more than seven hours, is a treat. Decades after the fact, when vivid, often graphically violent cop shows like the C.S.I. and Law & Order franchises (all of them clearly owing a debt to Webb's show) dominate the airwaves, Dragnet seems tame, even quaint. Violence and gunplay are kept to a minimum. Special effects are non-existent, and many scenes are talky and static; "The Big Interrogation" takes place almost entirely in a single room in the police station, and includes a four-minute speech by Friday about the plight of a police officer ("You're a cop, a flatfoot, a bull, a dick, John Law… they call you everything, but never a policeman"). The stories are uncomplicated, the criminals are usually dunderheads, and "square" barely begins to describe the overall tone (witness "The Big LSD," a risible depiction of a "hippie" on a psychedelic sojourn). Still, one gets the feeling that we're laughing not at but with Webb, the writers, and the rest of the cast (including Harry Morgan, later of M*A*S*H*, as sidekick Bill Gannon). By about halfway through the season, with episodes like "The Big Candy Story" and "The Big Fur Burglary" (an almost whimsical tale wherein Gannon pretends to be an expert furrier), it appears that Webb and company are enjoying themselves just as much as the viewers are; at the same time, the characters' personal lives are explored in a bit more detail, which adds some welcome texture.

Sure, it's dated--everybody smokes, everyone's white, and character descriptions like "strange-behaving juvenile" are more common than not. But in the end, the Dragnet approach, stilted though it may sometimes be, is a refreshing antidote to the oh-so-hip cop melodramas that have come along since. Best, and simplest, of all, Dragnet 1967 - Season 1 is downright entertaining. --Sam Graham

Dragnet Trivia

• When the original show ("Dragnet" (1951)) ended, Joe Friday had been promoted to Lieutenant. However, Jack Webb decided to make Friday a sergeant again for the new series because "few people remember that Friday was promoted toward the end of our run. We think it's better to have Joe a sergeant again. Few detective-lieutenants get out into the field."
• Jack Webb and Harry Morgan wore the same suits for the entire run of the television series.
• Through all 100 episodes of the series, Friday is only seen wearing something other than his regular suit four times: three times for undercover work and once for a scene in his apartment.
• Episodes from this series were used as training tools by the real-life LAPD.
• When Jack Webb revived the show in 1966, it was in response to the growing tide of teen-age drug use, especially LSD.
• Jack Webb would pay to any officer who submitted a story that was used for an episode plot.
• During the run of this version, the title would change to reflect the year that it was broadcast in (Dragnet 1967, Dragnet 1968 and so on).
• Friday's badge number (seen at the beginning and end of each episode) is 714. Badge 714 belonged to Sgt. 'Dan Cooke' , the technical advisor. The badge has been retired and displayed at the LAPD Academy's Museum.
• The pair of hands seen hammering the Mark VII logo at the end of every episode belong to Jack Webb.

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Saturday, May 21, 2011

The Magician: The Criterion Collection

The Magician: The Criterion Collection Review






The Magician: The Criterion Collection Overview


THE MAGICIAN (Ansiktet), directed by Ingmar Bergman (The Seventh Seal, Fanny and Alexander), is an engaging, brilliantly conceived tale of deceit from one of cinema’s premier illusionists. Max von Sydow (The Virgin Spring, The Exorcist) stars as Dr. Vogler, a mid-nineteenth-century traveling mesmerist and peddler of potions whose magic is put to the test by a small town’s cruel, eminently rational minister of health, Dr. Vergerus (Wild Strawberries’ Gunnar Bjornstrand). The result is a diabolically clever battle of wits that’s both frightening and funny, shot in rich, gorgeously gothic black and white.


The Magician: The Criterion Collection Specifications


Ingmar Bergman spent a glorious film career exploring themes of death and redemption (The Seventh Seal, Wild Strawberries), and his lesser-known gem The Magician fits perfectly into this genre. The Magician, shot eerily in crisp black and white, is one of Bergman's most unsettling films, and one that stays with the viewer long afterward. Several of Bergman's regular actors are featured, and all, as usual, are splendid: Max von Sydow, Bibi Andersson, Gunnar Björnstrand, Bengt Ekerot (who would go on to play Death memorably in The Seventh Seal), and Ulla Sjöblom. The plot is involving and a bit creepy on its own. The Magician follows von Sydow as Dr. Vogler, who leads a traveling group called Vogler's Magnetic Health Theater, which goes from town to town selling magic potions and performing feats that defy logic. Yet the members of the troupe are as reviled and persecuted by local authorities as they are embraced and fixated upon by their audiences. Bergman's direction keeps the tension between belief and fantasy, death and eroticism, as taut as a murder mystery--and perhaps with good reason. The viewer is kept guessing about the reality of the feats of the troupe and the motives of Dr. Vogler; the actors speak in unsettling and oblique riddles. Ekerot's character, Johan, muses to no one in particular, "I've prayed one prayer in my life: 'Use me, O God!' But He never understood what a devoted slave I'd have been. So I was never used… But that too is a lie. Step by step you go into the dark. The movement itself is the only truth."

While The Magician is gripping on its own merits, the Criterion Collection includes several extras that shed additional light on the film. Peter Cowie, a Bergman expert, narrates an excellent mini-documentary about The Magician, saying he believes Bergman made the film in response to his many critics, especially from his days as a theater director in the '50s in Sweden. Cowie's feature is an essential accompaniment to viewing The Magician in its context. Other rich extras include a mini-biography of Bergman, an interview with Bergman from 1967, and a booklet with an essay by film scholar Geoff Andrew. The Magician is an absolutely essential film for any Bergman fan. --A.T. Hurley

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The Breakfast Club (25th Anniversary Edition) [Blu-ray]

The Breakfast Club (25th Anniversary Edition) [Blu-ray] Review






The Breakfast Club (25th Anniversary Edition) [Blu-ray] Overview


Studio: Uni Dist Corp. (mca) Release Date: 08/03/2010 Run time: 122 minutes Rating: R


The Breakfast Club (25th Anniversary Edition) [Blu-ray] Specifications


John Hughes's popular 1985 teen drama finds a diverse group of high school students--a jock (Emilio Estevez), a metalhead (Judd Nelson), a weirdo (Ally Sheedy), a princess (Molly Ringwald), and a nerd (Anthony Michael Hall)--sharing a Saturday in detention at their high school for one minor infraction or another. Over the course of a day, they talk through the social barriers that ordinarily keep them apart, and new alliances are born, though not without a lot of pain first. Hughes (Sixteen Candles), who wrote and directed, is heavy on dialogue but he also thoughtfully refreshes the look of the film every few minutes with different settings and original viewpoints on action. The movie deals with such fundamentals as the human tendency toward bias and hurting the weak, and because the characters are caught somewhere between childhood and adulthood, it's easy to get emotionally involved in hope for their redemption. Preteen and teenage kids love this film, incidentally. --Tom Keogh

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Friday, May 20, 2011

Sweet Bird Of Youth

Sweet Bird Of Youth Review






Sweet Bird Of Youth Overview


Once a beautiful screen idol, Alexandra Del Lago (Taylor) has fled Hollywood for fear that her beauty and fame has faded. Alexandra falls into the arms of Chance (Harmon), a shiftless would-be actor, who sees her wealth and position as his last shot at making it in Hollywood.

Incorporating intense drama and steamy lust, this powerful production of the Tennesse Williams play reveals the dark forces of human ambition and desire, as passion and desperation collide.


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Thursday, May 19, 2011

ER: Season 15 (The Final Season)

ER: Season 15 (The Final Season) Review






ER: Season 15 (The Final Season) Overview


Combining the extraordinary talents of best-selling author Michael Crichton (Jurassic Park) and Steven Spielberg's Amblin Television with Peabody, Humanitas, and Emmy®-winning producer John Wells (The West Wing, Third Watch) and Emmy® winner Christopher Chulack (Third Watch), the multiple Emmy® Award-winning ER explores the inner workings of an urban teaching hospital and the critical issues faced by the dedicated physicians and staff of its overburdened emergency room. These medical professionals remain determined to save lives in a place where nothing is taken for granted and nothing is certain...nothing except that another desperate person will be rushed through the emergency room doors in the next moment in need of their help.


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Tuesday, May 17, 2011

The Haunting in Connecticut [Blu-ray]

The Haunting in Connecticut [Blu-ray] Review






The Haunting in Connecticut [Blu-ray] Overview


Based on a chilling true story, Lionsgate's THE HAUNTING IN CONNECTICUT charts one family's terrifying, real-life encounter with the dark forces of the supernatural. When the Campbell family moves to upstate Connecticut, they soon learn that their charming Victorian home has a disturbing history: not only was the house a transformed funeral parlor where inconceivable acts occurred, but the owner's clairvoyant son Jonah served as a demonic messenger, providing a gateway for spiritual entities to cross over. Now, unspeakable terror awaits when Jonah, the boy who communicated with the dead, returns to unleash a new kind of horror on the innocent and unsuspecting family.


The Haunting in Connecticut [Blu-ray] Specifications


Based on a chilling true story, Lionsgate's The Haunting in Connecticut charts one family's terrifying, real-life encounter with the dark forces of the supernatural. When the Campbell family moves to upstate Connecticut, they soon learn that their charming Victorian home has a disturbing history: not only was the house a transformed funeral parlor where inconceivable acts occurred, but the owner's clairvoyant son Jonah served as a demonic messenger, providing a gateway for spiritual entities to cross over. Now, unspeakable terror awaits when Jonah, the boy who communicated with the dead, returns to unleash a new kind of horror on the innocent and unsuspecting family.



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Sunday, May 15, 2011

Babylon 5: The Movie Collection

Babylon 5: The Movie Collection Review





Babylon 5: The Movie Collection Feature


  • First time on DVD! Initiate jump sequence for feature-length tales about key events in the B5 chronology.



Babylon 5: The Movie Collection Overview


BABYLON 5:MOVIES - DVD Movie


Babylon 5: The Movie Collection Specifications


The Babylon 5 pilot movie The Gathering was originally broadcast in 1993 a full year ahead of the regular show. A somewhat dull tale of an attempt to assassinate Koch, the Vorlon ambassador to B5, the feature served to introduce Commander Jeffery Sinclair (Michael O'Hare) and Security Chief Michael Garibaldi (Jerry Doyle) as well as familiarize the audience with the unique environment of a five-mile-long space station in the year 2257. Missing many of the main cast, and suffering from a leaden pace and mediocre music score, series creator J Michael Straczynski later improved The Gathering by tightening the cut for a special edition (the version released on DVD), adding some deleted character moments and commissioning a new score from series composer Christopher Franke.

Four new TV movies were part of the deal to syndicate Babylon 5. In the Beginning is a prelude set 10 years before Babylon 5, telling the story of the Earth-Minbari war. Told retrospectively, many of the mysteries revealed gradually in the main series are recounted, making the show a collection of spoilers for newcomers while adding little for established fans. It is effective to see events only previously talked about, and enjoyable to have most of the main cast playing younger versions of themselves. River of Souls is a self-contained adventure featuring a return of the Soul Hunters from Season One, while Thirdspace offers a spectacular Lovecraftian space opera which slots into the saga after the end of the Shadow War. A Call to Arms is the most important of the TV films, laying the ground for the future TV series Crusade. Set five years after the Shadow War, it tells the story of a Drahk revenge attack on Earth. A final showcase for Bruce Boxleitner as Sheridan, the story fits between fifth-season episodes "Objects at Rest" and "Sleeping in Light." The cliffhanger ending sets the scene for new starship Excalibur to boldly go on a five-year mission to explore strange new worlds and find a cure for the Shadow virus infecting the Earth. --Gary S. Dalkin

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Saturday, May 14, 2011

Whip It

Whip It Review






Whip It Overview


Hang onto your helmet and get ready to break away from the pack! Ellen Page scores huge laughs as Bliss Cavendar, a small-town teenager with a big dream: to find her own path in the world. Tired of following in her family’s footsteps of compliance and conformity, Bliss discovers a way to put her life on the fast track...literally. She lands a spot on a rough-and-tumble roller derby team and becomes “Babe Ruthless” — the hottest thing on eight wheels! Co-starring Drew Barrymore (in her feature film directorial debut), Marcia Gay Harden, Juliette Lewis, Daniel Stern and Jimmy Fallon, Whip It is a triumphant, free-spirited comedy loaded with high-speed action and nonstop fun!

  • Audio: English: 5.1 Dolby Digital / Spanish: Dolby Surround / French: Dolby Surround
  • Language: Dubbed: English, French & Spanish / Subtitled: English, French & Spanish
  • Theatrical Aspect Ratio: Widescreen: 2.40:1



Whip It Specifications


Drew Barrymore makes her bow as a director with this Roller Derby coming-of-age number, which shares the spirit of so many of Barrymore's movies: it's loosey-goosey, cheerful, and buoyant in waving its "Girls Rule!" flag. On screen, Barrymore relegates herself to a slapstick supporting role, handing the lead to Juno gal Ellen Page. Page plays a Texas teen with a yen to join Austin's Roller Derby squad, complete with new professional moniker Babe Ruthless, but she'll have to keep the side career secret from her beauty-pageant-obsessed Mom (Marcia Gay Harden) and football-watchin' Dad (Daniel Stern). A coming-of-age tale emerges between bouts of skating on the RD track (Jimmy Fallon plays the goofy Derby announcer), with a dash of romance added in the form of a generic Dude in a Band. Kristen Wiig does surrogate-mom duty as a teammate, Juliette Lewis is appropriately out-there as a track rival, and Andrew Wilson (bro of Owen and Luke) gets some hilariously poker-faced lines in as the team's coach. All the pleasant stuff makes you almost overlook how ramshackle the movie is, and how standard-issue the parental tensions (even if Harden is a total pro, as always). Ellen Page doesn't offer the innate audience-friendly cuddliness of Barrymore herself--thus her apt casting as Juno's brittle heroine--but her rapt focus is something to behold. "Babe Ruthless" indeed. --Robert Horton

Stills from Whip It (Click for larger image)



 



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Friday, May 13, 2011

From Beginning to End

From Beginning to End Review






From Beginning to End Overview


There are not a lot of topics involving consenting adults that can really shock these days but this searing romantic drama about two brothers who love incestuously may well be one of them! Set in a sun-burnished Brazil, two boys, Francisco and his younger half-brother (same mother, different fathers) Thomás, are being raised in upper class comfort in Rio by their doting mother. Five years apart, the boys are best friends and unusually close to each other so much so that their intimacy brings vocal concerns from relatives that maybe they are too close. But the parents reluctantly brush away the concerns. Fast-forward several years with Francisco and Thomás now strikingly handsome, bronzed young men and their childhood intensity has evolved into a torrid sexual relationship. But when Thomás is offered a chance to train for the Brazilian swim team in Russia for a long period of time, the proposed separation brings fears that their love is threatened. Spectacularly shot amidst the mountains, beaches and grand estates of Brazil, this intense drama does not just live on the controversial subject matter but rather is a strikingly evocative romance of two men fighting against societal conventions


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Thursday, May 12, 2011

The Departed (Full Screen Edition)

The Departed (Full Screen Edition) Review






The Departed (Full Screen Edition) Overview


Leonardo DiCaprio, Matt Damon, Jack Nicholson and Mark Wahlberg star in Martin Scorsese's new crime drama "The Departed." "The Departed" is set in South Boston where the state police force is waging an all-out war to take down the city's top organized crime ring. The key is to end the reign of powerful mob boss Frank Costello (Jack Nicholson) from the inside. A young rookie, Billy Costigan (Leonardo DiCaprio) is assigned to infiltrate Costello's mob. While Billy is working to gain Costello's trust, another young cop, Colin Sullivan (Matt Damon) is among a handful of elite officers whose mission is to bring Costello down. But what his superiors don't know is that Colin is working for Costello, keeping the crimeboss one step ahead of the police. Each man becomes deeply consumed by his double life, gathering information about the plans and counter-plans of the operation he has penetrated. But when it becomes clear to both the gangsters and the police that they have a mole in their midst, Billy and Colin find themselves in constant danger of being caught-and each must race to uncover the identity of the other man in time to save himself.


The Departed (Full Screen Edition) Specifications


Martin Scorsese makes a welcome return to the mean streets (of Boston, in this case) with The Departed, hailed by many as Scorsese's best film since Casino. Since this crackling crime thriller is essentially a Scorsese-stamped remake of the acclaimed 2002 Hong Kong thriller Infernal Affairs, the film was intensely scrutinized by devoted critics and cinephiles, and while Scorsese's intense filmmaking and all-star cast deserve ample acclaim, The Departed is also worthy of serious re-assessment, especially with regard to what some attentive viewers described as sloppy craftsmanship (!), notably in terms of mismatched shots and jagged continuity. But no matter where you fall on the Scorsese appreciation scale, there's no denying that The Departed is a signature piece of work from one of America's finest directors, designed for maximum impact with a breathtaking series of twists, turns, and violent surprises. It's an intricate cat-and-mouse game, but this time the cat and mouse are both moles: Colin Sullivan (Matt Damon) is an ambitious cop on the rise, planted in the Boston police force by criminal kingpin Frank Costello (Jack Nicholson). Billy Costigan (Leonardo DiCaprio) is a hot-tempered police cadet who's been artificially disgraced and then planted into Costello's crime operation as a seemingly trustworthy soldier. As the multilayered plot unfolds (courtesy of a scorching adaptation by Kingdom of Heaven screenwriter William Monahan), Costigan and Sullivan conduct a volatile search for each other (they're essentially looking for "themselves") while simultaneously wooing the psychiatrist (Vera Farmiga) assigned to treat their crime-driven anxieties.

Such convenient coincidences might sink a lesser film, but The Departed is so electrifying that you barely notice the plot-holes. And while Nicholson's profane swagger is too much "Jack" and not enough "Costello," he's still a joy to watch, especially in a film that's additionally energized by memorable (and frequently hilarious) supporting roles for Alec Baldwin, Mark Wahlberg, and a host of other big-name performers. The Departed also makes clever and plot-dependent use of cell-phones, to the extent that it couldn't exist without them. Powered by Scorsese's trademark use of well-chosen soundtrack songs (from vintage rock to Puccini's operas), The Departed may not be perfect, but it's one helluva ride for moviegoers, proving popular enough to become the biggest box-office hit of Scorsese's commercially rocky career. --Jeff Shannon

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Wednesday, May 11, 2011

Children of Men [Blu-ray]

Children of Men [Blu-ray] Review






Children of Men [Blu-ray] Overview


No children. No future. No hope. In the year 2027, eighteen years since the last baby was born, disillusioned Theo (Clive Owen) becomes an unlikely champion of the human race when he is asked by his former lover (Julianne Moore) to escort a young pregnant woman out of the country as quickly as possible. In a thrilling race against time, Theo will risk everything to deliver the miracle the whole world has been waiting for. Co-starring Michael Caine, filmmaker Alfonso Cuarón’s Children of Men is the powerful film Pete Hammond of Maxim calls “magnificent … a unique and totally original vision.”


Children of Men [Blu-ray] Specifications


Presenting a bleak, harrowing, and yet ultimately hopeful vision of humankind's not-too-distant future, Children of Men is a riveting cautionary tale of potential things to come. Set in the crisis-ravaged future of 2027, and based on the atypical 1993 novel by British mystery writer P.D. James, the anxiety-inducing, action-packed story is set in a dystopian England where humanity has become infertile (the last baby was born in 2009), immigration is a crime, refugees (or "fugees") are caged like animals, and the world has been torn apart by nuclear fallout, rampant terrorism, and political rebellion. In this seemingly hopeless landscape of hardscrabble survival, a jaded bureaucrat named Theo (Clive Owen) is drawn into a desperate struggle to deliver Kee (Clare-Hope Ashitey), the world's only pregnant woman, to a secret group called the Human Project that hopes to discover a cure for global infertility. As they carefully navigate between the battling forces of military police and a pro-immigration insurgency, Theo, Kee, and their secretive allies endure a death-defying ordeal of urban warfare, and director Alfonso Cuaron (with cinematographer Emmanuel Lubezki) capture the action with you-are-there intensity. There's just enough humor to balance the film's darker content (much of it coming from Michael Caine, as Theo's aging hippie cohort), and although Children of Men glosses over many of the specifics about its sociopolitical worst-case scenario (which includes Julianne Moore in a brief but pivotal role), it's still an immensely satisfying, pulse-pounding vision of a future that represents a frightening extrapolation of early 21st-century history. --Jeff Shannon

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Tuesday, May 10, 2011

Upstairs Downstairs

Upstairs Downstairs Review






Upstairs Downstairs Overview


One of the most loved television series of all time is brought back to life with a fresh cast and sumptuous production values. It's 1936, and six years since parlormaid Rose left 165 Eaton Place, fate brings her back, as housekeeper to its new owners: Sir Hallam and his wife Lady Agnes, and Maud, Lady Holland, his mother. Rose soon finds she has her work cut out as she recruits a new 'downstairs' family to help run the elegance and finery of the 'upstairs' world. Both upstairs and downstairs, it soon becomes apparent there lies a labyrinth of secrets, lies and scandal. Set against the historical backdrop of a Britain with a new King, with sexual, social and political tensions, this new series provides an evolving take on the master-servant relationship.


Upstairs Downstairs Specifications


Remade from the hit 1970s serial, this new version of Upstairs, Downstairs, condensed into three hour-long episodes, creates for a modern eye a vision of what 1936 in England must have looked like. That is, if you were royalty, and ran a fantastic mansion at 165 Eaton Place, in one of London's poshest neighborhoods. This show, as indicated in its title, revels in its overall ability to convey life as it unfolds upstairs, among the elite, and downstairs, among those who work tirelessly to keep the palace running. From the first episode, "The Fledgling," the plot is placed politically, socially, and romantically as newlyweds Sir Hallam Holland (Ed Stoppard) and Lady Agnes (Keeley Hawes) decide to sweep the cobwebs out of the old family haunt in favor of modernization. While mundane house dramas unfurl, increasing tenfold once Sir Hallam's nosy, old-fashioned mother, Maud (Eileen Atkins), decides that she and her pet monkey will be moving in, larger political dramas pepper the personal landscape. For example, in "The Fledgling," as well as the next episodes, "The Ladybird" and "The Cuckoo," Agnes's sister, Lady Persephone (Claire Foy), is increasingly misled by the newly formed fascist party, and mounting tensions between Jewish household members and Persie's ilk, including German official Ribbentrop (Edward Baker-Duly), loom large. As would be expected in this royal tale, much of the plot comprises Agnes's ability to bear children and the political expectations Sir Hallam must meet even when morally conflicted.

The most winning aspect of this miniseries is in its display of what the servants attend throughout; their challenges seem equally as difficult as the challenges presented in tandem upstairs. When Agnes promotes ex-housekeeper Rose Buck (Jean Marsh) to hire and manage the house crew, Rose rises to the occasion and commands many interesting scenes in which she hires, fires, and coaches team members like the butler, Pritchard (Adrian Scarborough), head chef Mrs. Thackeray (Anne Reid), young footman Johnny (Nico Mirallegro), and maid Ivy (Ellie Kendrick). Lavish scenes showing preparation for parties, plus those in which the servants simply keep up with daily tasks, may shock those who are not familiar with formal etiquette from the past. Amanjit (Art Malik), Maud's secretary who lives upstairs separate from the rest of the servants, serves as a character who straddles both worlds, offering us glimpses into a man who can relate to both classes. While ultimately modern change is afoot in the Holland household, it is slow moving, and viewers will enjoy watching it come incrementally, through refined displays. --Trinie Dalton

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Saturday, May 7, 2011

Supernatural: The Complete Second Season

Supernatural: The Complete Second Season Review





Supernatural: The Complete Second Season Feature


  • Twenty-two years ago, Sam (series star JARED PADALECKI) and Dean (series star JENSEN ACKLES) Winchester lost their mother to a mysterious and demonic supernatural force. As a result, their father, John (recurring guest star JEFFREY DEAN MORGAN - "Grey's Anatomy"), raised the brothers to be soldiers. He taught them about the paranormal evil that lives in the dark corners and on the back roads of Am



Supernatural: The Complete Second Season Overview


Twenty-two years ago, Sam (series star JARED PADALECKI) and Dean (series star JENSEN ACKLES) Winchester lost their mother to a mysterious and demonic supernatural force. As a result, their father, John (recurring guest star JEFFREY DEAN MORGAN - "Grey's Anatomy"), raised the brothers to be soldiers. He taught them about the paranormal evil that lives in the dark corners and on the back roads of America...and he taught them how to kill it. Sam, however, wanted nothing to do with this violent and dangerous life, and he left it behind, until the day Dean appeared on his doorstep with troubling news. Their father had gone missing on a "hunting trip." Sam and Dean have spent the last year cruising the highwaysof the United States in their 1967 Chevy Impala, searching for their lost father and encountering creatures that most people believe exist only in folklore, superstition and nightmares. Along the way, they have battled the various supernatural threats--and each other as well, for their sibling rivalries and conflicts were never far from the surface. Finally, they found their father, just as he was closing in on the Demon who claimed their mother.





Supernatural: The Complete Second Season Specifications


As programs ranging from Kolchak: The Night Stalker to, well, Night Stalker have proven, it's difficult to scare TV audiences on a weekly basis, but Supernatural seems to broken the trend. Not only has its blend of Route 66 and The X-Files provided some of the more chilling TV moments in recent history, but its core story--two brothers, Sam and Dean Winchester (Jensen Ackles and Jared Padalecki) battle the forces of evil to avenge their late mother--has been compelling enough to warrant a second season, which is compiled in its entirety on this six-disc set. Season Two maintains the show's "Monster of the Week" approach while adding compelling layers to the main characters and their history; in "What Is And What Should Never Be," a djinn offers the boys a glimpse of how their lives might've played out had their mother not succumbed to demonic forces, while the two-part "All Hell Breaks Loose" brings the season to a close with not only a rift between Sam and Dean, but the gates of Hell swinging open to unleash monstrous spirits. And if that's not enough of a creepshow for you, the boys also encounter a cannibal clown ("Everybody Loves a Clown"), seductive demons ("Crossroad Blues"), a town gripped by mass psychosis ("Croatoan"), as well as a barrage of ghosts, vampires and werewolves. If it's chills you want, the second season of Supernatural has them by the score. There's also a wealth of extras on the Complete Second Season set that should please longtime fans and help newcomers catch up with developments since the show's debut. Informative and entertaining commentaries are featured on three episodes: "In My Time of Dying" (by Ackles and Padalecki), "What Is And What Never Should Be" (by series creator Eric Kripke), and "All Hell Breaks Loose, Part 1" (by Kripke, writer Sera Gambles, and director Robert Singer). There's also a featurette on "All Hell Breaks Loose Part 2" that offers observations by the cast and crew on the season as a whole; viewers should note that the 11-minute short is difficult to find and is accessible only after accessing "The Devil's Road Map," a virtual tour of the places (and monsters) visited throughout the show's history. Padalecki's screen test for the role of Sam is also included, as well as three webisodes about the writers, visual effects and props for the show, and an amusing gag reel. -- Paul Gaita

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Friday, May 6, 2011

Watchmen: The Ultimate Cut

Watchmen: The Ultimate Cut Review





Watchmen: The Ultimate Cut Feature


  • Multi-disc set. Real-world super heroes must emerge from retirement to solve a murder of one of their own, in the shadow of nuclear armageddon. Directed by Zack Snyder (300). Watchmen: The Ultimate Cut is the version never seen in theaters, integrating the animated Tales from the Black Freighter into the Director s Cut of the film for a more in-depth experience, with 2 all-new commentaries by Zack



Watchmen: The Ultimate Cut Overview


The Watchmen: The Ultimate Cut is a new and final version of the blockbuster film from Zack Snyder. This version weaves Tales of the Black Freighter into the Watchmen Director’s Cut film that makes this the perfect gift for every die hard fan of the graphic novel.


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Wednesday, May 4, 2011

Dallas: The Complete Eighth Season

Dallas: The Complete Eighth Season Review





Dallas: The Complete Eighth Season Feature


  • Dallas fans just can?t get enough of the Ewings. So Season 8 brings a new one ? cousin Jamie Ewing, a blonde, blue-eyed little ol? cupcake with a big, fat claim on the oil empire. And it brings a new face: Oscar? Academy Award winner* Donna Reed stepping gracefully into Miss Ellie?s high heels while an ailing Barbara Bel Geddes recovers. And, of course, it brings a gusher of high-tension, high-fin



Dallas: The Complete Eighth Season Overview


Dallas fans just can’t get enough of the Ewings. So Season 8 brings a new one – cousin Jamie Ewing, a blonde, blue-eyed little ol’ cupcake with a big, fat claim on the oil empire. And it brings a new face: Oscar® Academy Award winner* Donna Reed stepping gracefully into Miss Ellie’s high heels while an ailing Barbara Bel Geddes recovers. And, of course, it brings a gusher of high-tension, high-finance drama: three corpses, one murder trial, weddings, breakups, adultery, medical traumas, kidnapping, lies, long-forgotten secrets and sudden wealth. That’s not all, not by a Texas Longhorn shot. The season ends with that dynamic Dallas classic, a wow-did-you-see-that cliffhanger.


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Tuesday, May 3, 2011

Frank Herbert's Children of Dune (Sci-Fi TV Miniseries) (Two-Disc DVD Set)

Frank Herbert's Children of Dune (Sci-Fi TV Miniseries) (Two-Disc DVD Set) Review






Frank Herbert's Children of Dune (Sci-Fi TV Miniseries) (Two-Disc DVD Set) Overview


The spectacular epic that began in the Emmy Award-winning Frank Herbert’s Dune mini-series continues in this dazzling new journey into sweeping interstellar intrigue and visionary sci-fi adventure! On the desert planet of Dune, the ancient prophecy has been fulfilled: the rule of the legendary Muad’dib has triggered a miraculous transformation of the arid wastelands. But as always, the Great Houses of the Empire are alive with rumors of conspiracy, plotting and betrayal. And when Muad’dib no longer wields absolute power as the Emperor, his young son Leto Atreides and daughter Ghanima face the prospect of a disastrous civil war on Arrakis - and chaos on a galactic scale. Now, with the future of the vital Spice trade in the balance, the destiny of humanity itself will depend on the courage, strength and otherworldly wisdom of The Children of Dune!


Frank Herbert's Children of Dune (Sci-Fi TV Miniseries) (Two-Disc DVD Set) Specifications


Conspiracies abound in Children of Dune, Sci-Fi Channel's praiseworthy miniseries sequel to Frank Herbert's Dune, loyally adapted from the Herbert novels Dune Messiah and Children of Dune by John Harrison, who passed directorial duties (due to a scheduling conflict) to Greg Yaitanes, a 31-year-old TV director and Dune neophyte tackling his biggest assignment to date. Uninitiated viewers face a disadvantage; it's best to read Herbert's books and/or see the first miniseries before plunging into this remarkably coherent tangle of political intrigue, unfolding 12 years after the events of Dune.

To his horror, Maud'Dib--Arrakis emperor Paul Atreides (Alec Newman, reprising his Dune role)--has become the unintended figurehead of a violent dictatorship, and his enemies are multiplying. Vanishing into the desert, he waits as destiny shapes his twin heirs Leto II (James McAvoy) and Ghanima (Jessica Brooks), who must contend with their scheming aunt Alia (Daniela Amavia) while Princess Wensicia (Susan Sarandon), of the enemy House Corrino, plots her own attack on Maud'Dib's familial empire. Exiled Atreides matriarch Lady Jessica (Alice Krige, giving the film's finest performance) returns to Arrakis, where the enormous, desert-dwelling sandworms face an uncertain future. As always, the spice must flow, and the universe's most coveted commodity remains at the center of this richly detailed and physically impressive production. Special effects range from awesome (fly-over shots of the capital city, Arakeen) to awful (the saber-tooth tigers look like Jumanji rejects), and Dune devotees will endlessly debate the miniseries' strengths and weaknesses. Some may desire more action to punctuate the film's inherent verbosity, but consensus will surely conclude that this is Dune done right, with monumental effort and obvious devotion from everyone involved. --Jeff Shannon

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Monday, May 2, 2011

Doubt

Doubt Review






Doubt Overview


From Miramax Films comes one of the most honored and acclaimed motion pictures of the year, Doubt. Based on the Pulitzer Prize and Tony Award-winning play, Doubt is a mesmerizing, suspense-filled drama with four riveting performances from Meryl Streep, Philip Seymour Hoffman, Amy Adams and Viola Davis that will have you pinned to the edge of your seat. Sister Aloysius Beauvier (Streep), the rigid and fear-inspiring principal of the Saint Nicholas Church School, suffers an extreme dislike for the progressive and popular parish priest Father Flynn (Hoffman). Looking for wrongdoing in every corner, Sister Aloysius believes she's uncovered the ultimate sin when she hears Father Flynn has taken a special interest in a troubled boy. But without proof, the only thing certain is doubt.

"One of the best pictures of the year," (USA Today, Rolling Stone, New York Post, San Francisco Examiner, Roger Ebert).

Bonus Features include From Stage To Screen, Scoring Doubt, The Sisters Of Charity


Doubt Specifications


It's always a risk when writers direct their own work, since some playwrights don't travel well from stage to screen. Aided by Roger Deakins, of No Country for Old Men fame, who vividly captures the look of a blustery Bronx winter, Moonstruck's John Patrick Shanley pulls it off. If Doubt makes for a dialogue-heavy experience, like The Crucible and 12 Angry Men, the words and ideas are never dull, and a consummate cast makes each one count. Set in 1964 and loosely inspired by actual events, Shanley focuses on St. Nicholas, a Catholic primary school that has accepted its first African-American student, Donald Miller (Joseph Foster), who serves as altar boy to the warm-hearted Father Flynn (Phillip Seymour Hoffman). Donald may not have any friends, but that doesn't worry his mother, Mrs. Miller (Viola Davis in a scene-stealing performance), since her sole concern is that her son gets a good education. When Sister James (Amy Adams) notices Flynn concentrating more of his attentions on Miller than the other boys, she mentions the matter to Sister Aloysius Beauvier (Meryl Streep), the school's hard-nosed principal. Looking for any excuse to push the progressive priest out of her tradition-minded institution, Sister Aloysius sets out to destroy him, and if that means ruining Donald's future in the process--so be it. Naturally, she's the least sympathetic combatant in this battle, but Streep invests her disciplinarian with wit and unexpected flashes of empathy. Of all the characters she's played, Sister Aloysius comes closest to caricature, but she never feels like a cartoon; just a sad woman willing to do anything to hold onto what little she has before the forces of change render her--and everything she represents--redundant. --Kathleen C. Fennessy


Stills from Doubt (Click for larger image)



 









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