Monday, January 31, 2011

I Am Legend (Widescreen Single-Disc Edition)

I Am Legend (Widescreen Single-Disc Edition) Review





I Am Legend (Widescreen Single-Disc Edition) Feature


  • Robert Neville is a brilliant scientist, but even he could not contain the terrible virus that was unstoppable, incurable, and man-made. Somehow immune, Neville is now the last human survivor in what is left of New York City and maybe the world. For three years, Neville has faithfully sent out daily radio messages, desperate to find any other survivors who might be out there. But he is not alone.



I Am Legend (Widescreen Single-Disc Edition) Overview


Robert Neville is a brilliant scientist, but even he could not contain the terrible virus that was unstoppable, incurable, and man-made. Somehow immune, Neville is now the last human survivor in what is left of New York City and maybe the world. For three years, Neville has faithfully sent out daily radio messages, desperate to find any other survivors who might be out there. But he is not alone. Mutant victims of the plague -- The Infected -- lurk in the shadows... watching Neville's every move... waiting for him to make a fatal mistake. Perhaps mankind's last, best hope, Neville is driven by only one remaining mission: to find a way to reverse the effects of the virus using his own immune blood. But he knows he is outnumbered... and quickly running out of time.


I Am Legend (Widescreen Single-Disc Edition) Specifications


Will Smith stars in the third adaptation of Richard Matheson’s classic science-fiction novel about a lone human survivor in a post-apocalyptic world dominated by vampires. This new version somewhat alters Matheson’s central hook, i.e., the startling idea that an ordinary man, Robert Neville, spends his days roaming a desolated city and his nights in a house sealed off from longtime neighbors who have become bloodsucking fiends. In the new film, Smith’s Neville is a military scientist charged with finding a cure for a virus that turns people into crazed, hairless, flesh-eating zombies. Failing to complete his work in time--and after enduring a personal tragedy--Neville finds himself alone in Manhattan, his natural immunity to the virus keeping him alive. With an expressive German shepherd his only companion, Neville is a hunter-gatherer in sunlight, hiding from the mutants at night in his Washington Square town house and methodically conducting experiments in his ceaseless quest to conquer the disease.

The film’s first half almost suggests that I Am Legend could be one of the finest movies of 2007. Director Francis Lawrence’s extraordinary, computer-generated images of a decaying New York City reveal weeds growing through the cracks of familiar streets that are also overrun by deer and prowled by lions. It’s impossible not to be fascinated by such a realistically altered cityscape, reverting to a natural environment, through which Smith moves with a weirdly enviable freedom, offset by his wariness over whatever is lurking in the dark of bank vaults and parking garages. Lawrence and screenwriters Mark Protosevich and Akiva Goldsman wisely build suspense by withholding images of the monsters until a peak scene of horror well into the story. It must be said, however, that the computer-enhanced creatures don’t look half as interesting as they might have had the filmmakers adhered more to Matheson’s vampire-nightmare vision. I Am Legend is ultimately noteworthy for Smith’s remarkable performance as a man so lonely he talks to mannequins in the shops he frequents. The film’s latter half goes too far in portraying Smith’s Neville as a pitiable man with a messianic mission, but this lapse into bathos does nothing to take away from the visual and dramatic accomplishments of its first hour. --Tom Keogh

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Sunday, January 30, 2011

Ghost Whisperer - The Third Season

Ghost Whisperer - The Third Season Review





Ghost Whisperer - The Third Season Feature


  • Condition: New
  • Format: DVD
  • AC-3; Box set; Color; Dolby; DVD; Widescreen; NTSC



Ghost Whisperer - The Third Season Overview


GHOST WHISPERER:THIRD SEASON - DVD Movie


Ghost Whisperer - The Third Season Specifications


The first thing you'll notice about the third season of Ghost Whisperer: More special effects! In the opening episode, a street collapses into a black, yawning crevasse. Eternally dewy Jennifer Love Hewitt stars as Melinda Gordon, who speaks to the dead with a firm glint in her eye and an abundance of cleavage (though the costume department is a tad more discreet this time around). With the assistance of her hunky husband (David Conrad), her skeptical best friend (Camryn Manheim, The Practice), and a wisecracking professor of the occult (Jay Mohr, Saturday Night Live), Melinda helps ghosts cross over to the other side. But woven through the entire third season is Melinda's investigation into her own family secrets (featuring Martin Donovan, The Opposite of Sex, as Melinda's mysterious father), culminating in a high-stakes season finale that's much more satisfying that season two's fairly forced conclusion. Mind you, this season is unlikely to convert viewers who prefer their ghost stories without warmhearted resolutions (almost every ghost just needs to tell someone how much he/she love him/her), but there are some clever twists and setups: A dead photographer creates pictures from the afterlife; a mother actively cultivates being haunted by her dead son because she's afraid he's too young to cross over on his own. Several episodes reveal how the town of Grandview is built on the ruins of an older city, which is--surprise!--full of unhappy ghosts. This gesture towards cultivating a mythology smacks a bit of Buffy the Vampire Slayer or The X-Files, but who doesn't like a haunted underworld? The more the show leans towards spookiness and sprinkles the earnestness on lightly, the stronger it is. Fans will be pleased with the abundance of extras, which include commentaries, webisodes, making-of documentaries, backstory about Melinda, and an entertainingly snarky interview with Mohr. --Bret Fetzer

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Tuesday, January 25, 2011

The Chief

The Chief Review






The Chief Overview


Step inside the cluttered office of Art Rooney in 1976 and meet The Chief. Cigar in hand, a quip on his lips, Tom Atkins recreates the persona of one of America s most beloved and inspirational characters. As you come face to face with the guiding force behind the Pittsburgh Steelers, you ll hear Rooney s personal tales of faith, family and of course, football. Enjoy never-before-seen interviews with former Steelers greats and relive some of football s greatest moments in this wildly entertaining package.


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Skins, Vol. 2

Skins, Vol. 2 Review





Skins, Vol. 2 Feature


  • It's been six months since Tony's collision with a bus - remarkably, he isn't dead, but he sure isn't the same person. Sid can't get his head around the fact that his best mate is a shadow of the man he's always looked up to. And to top it off he finally got the girl, Cassie, only to have her whisked off to Scotland. Sod's law! Michelle is lost without Tony, too. Maxxie's got hell at home because



Skins, Vol. 2 Overview


It's been six months since Tony's collision with a bus - remarkably, he isn't dead, but he sure isn't the same person. Sid can't get his head around the fact that his best mate is a shadow of the man he's always looked up to. And to top it off he finally got the girl, Cassie, only to have her whisked off to Scotland. Sod's law! Michelle is lost without Tony, too. Maxxie's got hell at home because his Dad doesn't want him to follow his dream of being a dancer. Even Anwar has changed since he bagged himself a secret girlfriend. Jal is throwing off the good girl image and letting her hair down. While party animal Chris is stepping out on his own. And while all around is falling apart, it's Effy who's taking control.

DVD Features:
Featurette
Interviews




Skins, Vol. 2 Specifications


British drama Skins remains leagues above U.S. teen shows like Gossip Girl and the revised 90210 in quality, emotional impact, and fun. Teen dramas don’t generally get a lot of acclaim from critics (and usually they don’t deserve any) but the surprisingly great Skins returns for Volume 2 with a whole lot more sex, drugs and angsty confusion, neatly conveyed via sharply written dialogue, spot-on performances and absorbing plotlines. The show has gotten a lot of press for the racier scenes and questionable (mostly bad) choices made by the teens, but there’s a tender and sweet side to these characters. It’s impossible not to empathize when party-boy Chris faces parental abandonment with no explanation; or Sid’s heart breaks over Cassie’s departure and their mutual difficulty in successfully pursing a long-distance relationship at 16. In general, Cassie remains in a state of complete disaster, fighting an eating disorder, loneliness and mostly, not fitting in wherever she is. After Volume 1’s shocking ending where Tony (About a Boy&A Single Man’s Nicholas Hoult) gets abruptly hit by a bus, his character has the most compelling journey in Volume 2, as he works to rebuild not only his physical strength, but all those relationships his arrogance and selfishness destroyed in Volume 1. Whether it’s because they’re all just trying to make their way in a world that’s not very accommodating or because everyone can relate to being young and miserable, Skins is mostly about finding joy in those in-between moments with your friends, and remains relatable well beyond adolescence. Skins continued on BBC America after the final episode featured here, but with a new set of teens, led by Effie, the mostly mute younger sister of Tony. It’s an exciting and interesting concept, but also really sad to say goodbye to this specific cast after these two compelling seasons. --Kira Canny

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The Taming of the Shrew

The Taming of the Shrew Review






The Taming of the Shrew Overview


TAMING OF THE SHREW - DVD Movie


The Taming of the Shrew Specifications


Liz and Dick (a.k.a. Elizabeth Taylor and Richard Burton) almost seemed to be importing the psychodramas of their marriage into this 1967 film (of course, the same was true of every film they made together). Adapted from Shakespeare's play and directed by Franco Zeffirelli (Romeo and Juliet) with his usual eye for sumptuousness, this version of Taming features a particularly boisterous, bawdy, fun performance by its stars. Composer Nino Rota--best known for scoring several of Fellini's best-known works--received a National Board of Reviews award for his vivid soundtrack. --Tom Keogh

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Sunday, January 23, 2011

North Shore

North Shore Review






North Shore Overview


NORTH SHORE - DVD Movie


North Shore Specifications


The dialogue is laughable, and the plot is by the numbers. But if you're a surfer (or an armchair surfer), this ultra-silly movie may prove hard to resist. It's the one about the kid from Arizona (Matt Adler), who's surfed only on artificial waves in that landlocked state, coming out to spend his last free summer hitting the serious water of Hawaii. He falls in with a mystical surf guru (Gregory Harrison), one of those surf-Zen masters obsessed with the cosmic significance of hanging ten, but he's also tempted by the flashier stunts of the younger surf crowd. Oh, and the Arizona kid also gets romantic with the prettiest girl on Oahu (Nia Peeples), which precipitates trouble with her resentful native family. If the story's no winner, the surfing action is excellent, with many real-life surfers contributing their talents. For shredders, a guilty pleasure. --Robert Horton

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Wednesday, January 19, 2011

Men of Honor [Blu-ray]

Men of Honor [Blu-ray] Review





Men of Honor [Blu-ray] Feature


  • MEN OF HONOR



Men of Honor [Blu-ray] Overview


One of those rare films that grabs you by the gut and never lets go, Men of Honor was inspired by the life of Carl Brasher (Cuba Gooding Jr.), an African American who dared to dream of becoming a U.S. Navy Master Diver. Despite a bigoted training officer (Robert DeNiro) and a tragic shipboard accident, Carl never gives up and achieves the impossible in an incredible finish that will leave you cheering.


Men of Honor [Blu-ray] Specifications


Men of Honor presents a great role model for younger viewers, yet it's rated R due to abundant use of the F word. With appropriate discretion, parents should allow their preteen and teenaged children to see this rousing if altogether conventional biopic inspired by the life of Carl Brashear. Played with gravity and gumption by Cuba Gooding Jr., Brashear was the first African American to become a master diver in the U.S. Navy, despite the lingering effects of segregation, opposition from Navy brass, and the amputation of his left leg following a tragic on-duty accident. Robert De Niro adds marquee value and salty bluster as Billy Sunday, the drunken, redneck (and fictionalized) Master Chief who watches, with gradual admiration, as Brashear attains his ultimate goal through sheer force of will.

This is all quite uplifting on its surface, but in attempting to hit the requisite highlights of an inspiring biography, director George Tillman Jr. (Soul Food) reduces Brashear's achievement to a succession of clichés, forcing Gooding and De Niro to battle sentiment with their noteworthy performances. As Sunday's neglected wife, Charlize Theron is completely extraneous; Hal Holbrook's diving-school commander is a ranting caricature; and newcomer Aunjanue Ellis barely registers as Brashear's wife (in part because their obligatory romance is handled with an utter lack of finesse). There's no question that Brashear's efforts are heroic and worthy of recognition, so Men of Honor serves its basic purpose. Still, one can't help but wonder if Brashear's story would be even more impressive with a more authentic treatment. --Jeff Shannon

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Follow That Dream

Follow That Dream Review





Follow That Dream Feature


  • PRESLEY*ELVIS



Follow That Dream Overview


Elvis Presley is at his dreamboat peak in this musical comedy that finds the sexy star crooning five original songs in an "amusing and fast-paced" (Variety) romp boasting a "delightful mixtureof songs, romance, humor and good old homespun warmth" (Citizen-News)! When his scheming pop decides to "homestead" the family on a public beach, Toby Kwimper (Presley) digs the exotic settingbut hates the attention he is suddenly receiving. Though he just wants to play his guitar, Toby finds himself up to his baby blues in trouble with government bureaucrats, crime bosses and even two smitten "kittens"an adopted little sister who feels more than sisterly love for him and a social worker with more than his welfare on her mind!


Follow That Dream Specifications


Elvis hadn't dyed his hair a permanent midnight black yet in Follow That Dream, which is another way of saying this is still the point in his career when he was making movies, not just Elvis Presley vehicles. Elvis road-trips with his crabby, anti-government pop (Arthur O'Connell) and an adopted brood to a Florida beach, which by a legal quirk they can homestead. The authorities and some fairly unbelievable gangsters would like to stop them. The songs are undistinguished but not awful, the scenery is nice, and Elvis--looking well-fed and relaxed--shows off good comedic chops doing a dumb-guy shtick. Screenwriter Charles Lederer and director Gordon Douglas are a class act by Presley picture standards, keeping the sitcom-style plot moving along. No fancy clothes or cars in this one, just Elvis and some beachcombing and an old git-tar, and not a bad time-killer for all that. --Robert Horton

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Tuesday, January 18, 2011

Touched By an Angel - The Third Season, Vol. 2

Touched By an Angel - The Third Season, Vol. 2 Review






Touched By an Angel - The Third Season, Vol. 2 Overview


A trio of angels Monica (Roma Downey), Tess (Della Reese), and Andrew (John Dye) are dispatched from heaven with a special mission: to inspire people facing sometimes unseen crossroads in their lives. Monica, an angel who at times still needs some guidance with her earthly assignments, reports to Tess, her tough, wise and always loving supervisor. Also on hand is Andrew, who, in addition to his duties as the Angel of Death, now helps out as a caseworker on carious assignments. Gloria, an angel for the 21st century, continues to seek guidance from Monica performing her angelic duties. While the angels may not bring solutions to every problem, they always deliver a message of hope.


Touched By an Angel - The Third Season, Vol. 2 Specifications


Roma Downey, with her apple cheeks, cascading brunette hair, and Irish lilt, has the kind of warm benevolence that has been the bedrock of television from its inception. Starring as Monica, an angel "caseworker" who walks among mortal humanity to help them solve their problems, Downey glows beatifically as she dispenses homilies about God's enduring love. The cantankerous authority of Della Reese as Tess, Monica's immediate superior, and the bland manliness of John Dye as Andrew, the Angel of Death (though by this season, he'd became pretty much all-purpose) gave Touched by an Angel its own holy trinity. By the third season, the trio had settled into a comfortable blend of earnest empathy and vaudevillian banter.

While fans of the show praise its moral values, the scripts vary erratically, slipping all to often into melodrama and hamfisted dialogue. Even viewers comfortable with problems being solved by the Lord's direct intervention will probably scoff at the ending of, for example, the episode about an escape artist who feels guilty over his brother's death--not only is the resolution farfetched, the execution is clumsy. Still, the show pulls in an impressive array of guest stars; The Third Season, Vol. 2 features James Earl Jones, Bill Cosby, Cloris Leachman, Abe Vigoda, Esther Rolle, Edward James Olmos, Camryn Mannheim, Chris Noth, and many, many more. Jasmine Guy returns as Monica's diabolical nemesis, and Hudson Leick (Xena: Warrior Princess) appears twice as a sweet fledgling angel. This four-disc set features 14 episodes with no extra features. --Bret Fetzer

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Sunday, January 16, 2011

Jeremiah Johnson

Jeremiah Johnson Review





Jeremiah Johnson Feature


  • DVD
  • Widescreen
  • Pan and Scan (TV Format)
  • English, Spanish, French, Subtitled



Jeremiah Johnson Overview


Robert Redford has one of his best-ever roles as a 19th century mountain man in a wilderness of harsh elements and hostile Indians. Directed by The Firm's Sydney Pollack. Year: 1972 Director: Sydney Pollack Starring: Robert Redford, Will Geer, Stefan Gierasch


Jeremiah Johnson Specifications


After they first worked together on the 1966 film This Property Is Condemned, director Sydney Pollack and Robert Redford continued their long-lasting collaboration with this 1972 drama set during the mid-1800s, about one man's rugged effort to shed the burden of civilization and learn to survive in the wilderness of the Rocky Mountains. Will Geer is perfectly cast as the seasoned trapper who teaches Jeremiah Johnson (Redford) how to survive against harsh winters, close encounters with grizzly bears, and hostile Crow Indians. In the course of his adventure, Johnson marries the daughter of a Flathead Indian chief, forms a makeshift family, and ultimately assumes a mythic place in Rocky Mountain folklore. Shot entirely on location in Utah, the film boasts an abundance of breathtaking widescreen scenery, and the story (despite a PG rating) doesn't flinch from the brutality of the wilderness. --Jeff Shannon

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Tuesday, January 4, 2011

Dazed & Confused - (The Criterion Collection)

Dazed & Confused - (The Criterion Collection) Review






Dazed & Confused - (The Criterion Collection) Overview


America, 1976. The last day of school. Bongs blaze, bell-bottoms ring, and rock and roll rocks. Among the best teen films ever made, Richard Linklater’s Dazed and Confused eavesdrops on a group of seniors-to-be and incoming freshmen. A launching pad for a number of future stars, Linklater’s first studio effort also features endlessly quotable dialogue and a blasting, stadium-ready soundtrack. Sidestepping nostalgia, Dazed and Confused is less about "the best years of our lives" than the boredom, angst, and excitement of teenagers waiting . . . for something to happen


Dazed & Confused - (The Criterion Collection) Specifications


You remember high school? Really remember? If you think you do, watch this film: it'll all really come racing back. After changing the world with the generation-defining Slacker, director Richard Linklater turned his free-range vérité sensibility on the 1970s. As before, his all-seeing camera meanders across a landscape studded with goofy pop culture references and poignant glimpses of human nature. Only this time around, he's spreading a thick layer of nostalgia over the lens (and across the soundtrack). It's as if Fast Times at Ridgemont High was directed by Jean-Luc Godard. The story deals with a group of friends on the last day of high school, 1976. Good-natured football star Randall "Pink" Floyd navigates effortlessly between the warring worlds of jocks, stoners, wannabes, and rockers with girlfriend and new-freshman buddy in tow. Surprisingly, it's not a coming-of-age movie, but a film that dares ask the eternal, overwhelming, adolescent question, "What happens next?" It's a little too honest to be a light comedy (representative quote: "If I ever say these were the best years of my life, remind me to kill myself."). But it's also way too much fun (remember souped-up Corvettes and bicentennial madness?) to be just another existential-essay-on-celluloid. --Grant Balfour

On the DVD
With a perfect combination of awesome '70s-era packaging and a totally rockin' selection of bonus features, the Criterion Collection's director-approved special edition two-disc release of Dazed and Confused instantly qualifies as one of the very best DVDs of 2006--the 30th anniversary of the Bicentennial, man! That's what I'm talkin' about! As a sublime companion piece to Criterion's release of Richard Linklater's previous film Slacker, the set comes in a slipcase (complete with "Physical Graffiti"-like picture-windows) festooned with Flair-pen high-school "doodling" (just like you'd scribble on your Pee Chee folders, back in the day), and the features get off on a high note (kinda like Slater, y'know?) with writer-director Linklater's feature-length commentary, which offers all aspiring filmmakers an important lesson protecting your vision and knowing when not to compromise. In recalling the many struggles he endured during production, Linklater covers a lot of territory (notes from the studio, the fantasy abundance of muscle cars, selection of music, and his acute disappointment when Robert Plant--but not Jimmy Page--refused to allow Led Zeppelin songs to be used in the film), and his engaging, good-humored perspective (and appropriate sense of vindication) clearly arises from his film's eventual acceptance as a classic. (For all you film buffs out there, Linklater quite rightly recommends Tim Hunter's Over the Edge and Lindsay Anderson's If... as "great teenage films" that defined the genre before Dazed.) The film itself never looked or sounded better (Linklater and cinematographer Lee Daniel supervised the high-def digital transfer), and a generous selection of deleted scenes will be welcomed by the film's legion of loyal fans.

The Disc 2 supplements are highlighted by Making "Dazed", filmmaker Kahane Corn's decade-in-the-making 50-minute documentary, chronicling all aspects of the production from casting to the Dazed tenth-anniversary celebration in Austin, Texas, in 2003. "Beer Bust at the Moon Tower" allows random viewing of a 118-minute compilation of behind-the-scenes footage, on-set interviews (with cast members both in and out of character), audition footage, and recollections from the anniversary bash. The accompanying 72-page booklet is a Criterion master-stroke: Designed like a small-scale high-school yearbook, it's filled with more "doodling" artwork, lots of photos, three appreciative mini-essays (the best being by journalist/author Chuck Klosterman), recollections by cast and crew, and humorous "Profiles in Confusion" portraits of the characters in Dazed, reprinted from the film's similarly designed companion book. It's all topped off by a miniature reproduction of the film's original poster, designed by Frank Kozik. In terms of capturing "The Spirit of '76" and the film's celebratory sense of anti-nostalgia, this is surely one of Criterion's finest releases to date. --Jeff Shannon

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Monday, January 3, 2011

Never Let Me Go

Never Let Me Go Review






Never Let Me Go Overview


Academy Award® Nominees Carey Mulligan and Keira Knightley, co-star with talented newcomer Andrew Garfield (The Social Network) in this poignant and powerful film. Kathy (Mulligan), Ruth (Knightley) and Tommy (Garfield) are best friends who grow up together at an English boarding school with a chilling secret. When they learn the shocking truth--that they are genetically engineered clones raised to be organ donors--they embrace their fleeting chance to live and love. Based on the acclaimed novel by Kazuo Ishiguro (The Remains of the Day), Never Let Me Go is an intriguing exploration of hope and humanity.


Never Let Me Go Specifications


In adapting Kazuo Ishiguro's celebrated novel, director Mark Romanek (One Hour Photo) and screenwriter Alex Garland (Sunshine) transform dystopian fiction into period drama by presenting an alternate past in which people routinely live beyond 100--at a cost to those who make it possible. In the 1970s, Kathy (Isobel Meikle-Small) and Ruth (Ella Purnell) attend Hailsham, a British boarding school where Miss Emily (Charlotte Rampling) holds sway--and no one ever mentions their parents. When new teacher Miss Lucy (Sally Hawkins, Happy-Go-Lucky) arrives, she reaches out to the awkward Tommy (Charlie Rowe), with whom Kathy becomes close--until jealous Ruth steals him away. Then Lucy reveals what will happen when they leave. By the 1980s, Kathy (a poignant Carey Mulligan), Ruth (Keira Knightley), and Tommy (Andrew Garfield) live in the country until they're ready to fulfill their purpose. With Ruth and Tommy an item, Kathy becomes a carer, a sort of social worker. Over the years, the three go their separate ways until the 1990s, by which point their time will run out unless they can arrange for a deferral. Throughout, Romanek never presents alternate points of view; the audience experiences this brave new world only through the eyes of its sheltered protagonists. If the story raises issues that recall Orwell, the unhurried pace echoes The Remains of the Day, Merchant Ivory's Ishiguro adaptation. Similarly, Never Let Me Go is a work of great skill and compassion, but make no mistake: it's also very, very depressing. --Kathleen C. Fennessy

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Sunday, January 2, 2011

Elizabeth I

Elizabeth I Review






Elizabeth I Overview


ELIZABETH I - DVD Movie


Elizabeth I Specifications


Helen Mirren's Elizabeth I could almost be cousin to her Jane Tennison. Like the dedicated detective chief inspector, Queen Bess is not without a heart, but work comes first and any romantic entanglements are doomed to fail. Fortunately, she has her friendships. Directed by Tom Hooper (Prime Suspect 6), this two-part HBO/Channel 4 tele-film begins in 1579. The Virgin Queen has been on the throne for 20 years, but has not married. Her closest relationship is with Robert Dudley, the Earl of Leicester (Jeremy Irons), whom the council will not allow her to wed. Because Robert wishes to produce an heir, he marries another, garnering Elizabeth's disfavor (and nor is he all that thrilled about her dalliance with Henry, the Duke of Anjou). In time, he'll return to her good graces. As she explains, "Friendship outlasts love and is stronger than love." Then, as his health begins to fails, she'll turn to his stepson, the dashing, if duplicitous Robert Devereaux, the Earl of Essex (Hugh Dancy, the Hooper-directed Daniel Deronda). Meanwhile, Mary, Queen of Scots (Barbara Flynn) plots against her Protestant cousin. Even after Mary makes her exit, plenty of other powerful Catholics will stop at nothing to seize the crown. Marked as much by triumph as tragedy, the role of Elizabeth I has been catnip for many illustrious actresses, notably Bette Davis, Glenda Jackson, and Cate Blanchett. Mirren's multi-faceted portrayal of the queen's golden years is a worthy addition to that canon and Irons is a particularly formidable foil. --Kathleen C. Fennessy

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Paper Moon

Paper Moon Review






Paper Moon Overview


Adapted from the novel "Addie Pray" by Joe David Brown, PAPER MOON is set in the Midwest during the Great Depression, and follows the story of Moses Pray (Ryan O’Neal), a happy-go-lucky con artist who travels through the Midwest on a mission to swindle money out of innocent widows. While attending a friend’s funeral, Pray is called upon by two elderly ladies to deliver the daughter of the deceased, Addie (Tatum O’Neal), to her aunt in Missouri. Soon learning that the 9-year-old is almost as mischievous and manipulative as he is, Pray and Addie develop a father and daughter routine that increases their credibility as well as their income. Now, the devious duo set out on a series of misadventures involving crooked cops, bootleggers, grieving widows and a Carney dancer named Miss Trixie Delight (Kahn) who adds a little spice to their routine.


Paper Moon Specifications


A sweet and subtle gem of a movie. Newly orphaned Addie (Tatum O'Neal) falls into the care of small-time con artist Moses Pray (Ryan O'Neal, Tatum's real-life father) and turns out to be better at grifting than he is. Set in Depression-era Kansas, Paper Moon is a miracle of unity. The set design and cinematography combine to give both the flavor of documentary photos and the visual quality of movies from the period, and every performance meshes with the overall tone of sincerity, earnest optimism, and creeping desperation. The rapport between Addie and Moses is phenomenal--and being father and daughter doesn't make that a sure thing. Ryan O'Neal gives a truly great performance (perhaps the only one of his career) and Tatum won an Oscar for Best Supporting Actress (she's the youngest winner in history). Madeline Kahn was also nominated for her wonderfully funny and sad turn as an exotic dancer named Trixie Delight. Paper Moon has a miraculous combination of outrageous sentimentality and pragmatic cynicism; the result is genuinely touching. One of director Peter Bogdanovich's best films, and kind of a comic companion piece to The Last Picture Show. --Bret Fetzer

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