Elizabeth Taylor and Richard Burton Film Collection (Who's Afraid of Virginia Woolf 2-Disc Special Edition / The Comedians / The Sandpiper / The V.I.P.s) 5 Disc Set Review
When the horror of Haiti's plight hit the news I remembered this film. I urge you to also get a book called "The Best Nightmare on Earth" by Herbert Gold which, like the film, covers the Papa Doc Duvalier period. It will make the film much more enjoyable. Papa Doc was a country medical doctor who rose to rule over Haiti with absolute authority. He employed the terror of the ton-ton macoute secret police and the threat of voodoo magic with great effect. The Haitian journalist played by Roscoe Lee Brown was very much a real person whose survival and sense of self preservation waa wonderous. Gold met Graham Greene and has some wonderful stories about the effect the book and film had on Haitians. Alas the film was shot in Africa because Papa Doc was not happy with Greene's book.
I personally know Nicola Lubitsch, the daughter of the famous film director, Ernst. She lived in Haiti with her step-father, the U.S. Ambassador to Haiti under Papa Doc's regime. She confirmed that Grahamn Greene incorporated many actual events and people into his book. She had some pretty good stories herself and even knew Papa Doc (from a distance of course.) I was going to tag this film "bad movies we love" but thinking about these two reliable witnesses who say that there is a lot of truth in this story gives me pause - besides it was only a few dollars.
Elizabeth Taylor and Richard Burton Film Collection (Who's Afraid of Virginia Woolf 2-Disc Special Edition / The Comedians / The Sandpiper / The V.I.P.s) 5 Disc Set Overview
Movie DVD
Elizabeth Taylor and Richard Burton Film Collection (Who's Afraid of Virginia Woolf 2-Disc Special Edition / The Comedians / The Sandpiper / The V.I.P.s) 5 Disc Set Specifications
The British-born Elizabeth Taylor was the quintessential Hollywood screen goddess. The Welsh-born Richard Burton was one of the most compelling British actors of his generation. Together, they were a perfect storm of talent, glamour, and offscreen scandal, which made even their lesser films essential viewing for those fascinated by cinema's royal couple. This four-film set captures the prolific couple at the height of their 1960s heyday. The essential entry is
Who's Afraid of Virginia Woolf (1966), which earned Taylor an Academy Award, and launched the film directing career of Mike Nichols. This adaptation of Edward Albee's searing play was ahead of its time for its use of profanity, as chronicled in bonus featurettes on this two-disc Special Edition. Taylor and Burton star as the braying Martha, a college president's daughter, and her husband George, an associate history professor. An ambitious teacher (George Segal) and his mousy wife (a heartbreaking Sandy Dennis) arrive for an unforgettable night of such emasculating sport as "Humiliate the Host," "Get the Guests," and "Hump the Hostess."
The V.I.P.s (1963) is a star-studded soap opera about a group of notables stranded at a fog-shrouded airport, each desperate to get off the ground. In addition to Orson Welles as a film director trying to stay one step ahead of the British tax man and Margaret Rutherford (who earned an Academy Award) as a financially strapped duchess, we have Taylor as the unhappy wife of magnate Burton, set to elope with a reformed (?) gigolo (Louis Jordan).
The Sandpiper (1965) is one of those vaunted enjoyable "golden turkeys" that at least has the beautiful Big Sur coast and the Oscar-winning song "The Shadow of Your Smile" as consolation for the silly illicit romance between Taylor, an unconvincing bohemian artist, and Burton, the tortured Episcopalian reverend to whose school Taylor's illegitimate son has been sent.
The Comedians (1967) is hardly a laughing matter. Graham Greene adapted his novel of upheaval in Papa Doc-run Haiti. You have to jump 40 years to Brad Pitt and Angelina Jolie to find another couple with Taylor and Burton's wattage. This collection gives a time capsule glimpse at what all the fuss was about.
--Donald Liebenson
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