The Sopranos: The Complete First Season Review
For those that may not have heard, The Sopranos is the platinum standard for quality television. The writing, casting, acting, directing are without peer in the history of the medium. In fact, a total of 86 episodes were made and the vast majority of those are far superior to even the better movies being made today. Every time I return to The Sopranos I'm reminded that even the best television shows that have been made in its wake (and I'm a fan of a select few) pale in comparison. I've yet to meet anyone that gave the show a real chance and didn't become a huge fan, several skeptics included. The Sopranos is definitely not for young children. Though there is plenty of cursing, violence and nudity, it's never pointless or gratuitous. The blu ray edition of season 1 is a substantial improvement over the original dvd. I challenge anyone that has not seen this magnificent show to grab the blu ray of season one, make sure you won't be bothered, and watch several episodes uninterrupted. You will be hooked.
The Sopranos: The Complete First Season Overview
On January 10th, 1999, America was introduced to two families that would make history: The Soprano family headed by Tony Soprano, and The Soprano "family" headed by ... Tony Soprano. ' 'Four Stars! The first gotta-watch, gotta love, Gotti-like TV series of 1999. Across the board it's an A-plus.' ' - The New York Post ' 'Achieves a fresh tone to match its irresistibly winning concept.' ' - The New York Times
DVD Features:
Audio Commentary
Biographies
Featurette
Interviews
The Sopranos: The Complete First Season Specifications
The Sopranos, writer-producer-director David Chase's extraordinary television series, is nominally an urban gangster drama, but its true impact strikes closer to home: Like 1999's other screen touchstone, American Beauty, the HBO series chronicles a dysfunctional, suburban American family in bold relief. And for protagonist Tony Soprano, there's the added complexity posed by heading twin families, his collegial mob clan and his own, nouveau riche brood.
The series' brilliant first season is built around what Tony learns when, whipsawed between those two worlds, he finds himself plunged into depression and seeks psychotherapy--a gesture at odds with his midlevel capo's machismo, yet instantly recognizable as a modern emotional test. With analysis built into the very spine of the show's elaborate episodic structure, creator Chase and his formidable corps of directors, writers, and actors weave an unpredictable series of parallel and intersecting plot arcs that twist from tragedy to farce to social realism. While creating for a smaller screen, they enjoy a far larger canvas than a single movie would afford, and the results, like the very best episodic television, attain a richness and scope far closer to a novel than movies normally get.
Unlike Francis Coppola's operatic dramatization of Mario Puzo's Godfather epic, The Sopranos sustains a poignant, even mundane intimacy in its focus on Tony, brought to vivid life by James Gandolfini's mercurial performance. Alternately seductive, exasperated, fearful, and murderous, Gandolfini is utterly convincing even when executing brutal shifts between domestic comedy and dramatic violence. Both he and the superb team of Italian-American actors recruited as his loyal (and, sometimes, not-so-loyal) henchmen and their various "associates" make this mob as credible as the evocative Bronx and New Jersey locations where the episodes were filmed.
The first season's other life force is Livia Soprano, Tony's monstrous, meddlesome mother. As Livia, the late Nancy Marchand eclipses her long career of patrician performances to create an indelibly earthy, calculating matriarch who shakes up both families; Livia also serves as foil and rival to Tony's loyal, usually level-headed wife, Carmela (Edie Falco). Lorraine Bracco makes Tony's therapist, Dr. Melfi, a convincing confidante, by turns "professional," perceptive, and sexy; the duo's therapeutic relationship is also depicted with uncommon accuracy. Such grace notes only enrich what's not merely an aesthetic high point for commercial television, but an absorbing film masterwork that deepens with subsequent screenings. --Sam Sutherland
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