Friday, July 16, 2010

Blue Crush (Widescreen Collector's Edition)

Blue Crush (Widescreen Collector's Edition) Review



Released in 2002, "Blue Crush" tells the story of three young female surfers in Hawaii who support their lifestyle as maids at a high-class hotel. Anne Marie (kate Bosworth) has dreams of going professional, but she has to get over her past failures and her family's breakup to succeed. In the meantime a vacationing NFL quarterback (Matthew Davis) romances her and she has to determine if their relationship is real or just a fling (for him, that is). Michelle Rodriguez and Sanoe Lake co-star as Anne Marie's surfing friends.

As you can tell, "Blue Crush" is a 'sports film' in the manner of "Karate Kid" and a host of others. Although some of these movies go the comedy route -- e.g. "Cloud 9" and "Bad News Bears" -- "Crush" is a serious drama with fun flashes.

Filmed on the beaches/resorts of O`ahu, Hawaii, this is a beautiful and exhilarating film to watch, the perfect remedy if the weather in your area has been dreary of late.

There's no profanity, raunch or t&a exploitation but, to be expected, the film features good-looking women in swimwear throughout its 104-minute runtime (dudes too, if you're a woman). By "good-looking" I mean realistically so, not like "Baywatch" which normally featured masses of ultra-hot babes swarming the beaches.

For the first hour the film was pretty much what I expected it to be, nothing great but moderately entertaining for this type of flick, and then something happened at the the 58-minute mark that struck a chord with me. Anne Marie hits the waves with her friend (Rodriquez) to prepare for the Pipeline Masters event as we hear the song "Youth of the Nation" by P.O.D. This sequence touched me for some reason. The music & lyrics are emotionally potent and effectively set the tone for the remainder of the film.

"Youth of the Nation" exemplifies the zeitgeist of the new millennium just as "My Generation" perfectly represents the mid-60s and "Smells Like Teen Spirit" typifies the 90s (I was gonna say "and just as 'Muskrat Love' typifies the 70s" as a joke but decided not to -- LOL). Anyway, everyone's heard the song by now but if you're not sure go to youtube and listen to it with lyrics; it's an incredible piece, to say the least, and dig those heartrending lyrics! It's reality, my friend.

What affected me most with the story is the picture of the three maids, impoverished and disdained by the snobs but full of youthful zeal and hope. It strangely reminded me of something I experienced on my last trip to Southern California. I was leaving the last showing of a theater late at night and spied the janitorial crew coming in to clean with their mops & buckets. They were Mexicans, mostly young, and possibly illegal aliens. Everyone walked by them like they weren't there, like they were the scum of society or something. But I made a point to acknowledge them and smile. I don't feel I deserve a medal for this or anything; it's just that I made a decision long ago that, no matter how far I go in life, I'm not going to look down on or ignore those of lower stature. Why? I don't know, maybe because I'm scum.




Blue Crush (Widescreen Collector's Edition) Overview


WO YOUNG WOMEN WORK AS MAIDS IN A MAUI RESORT COMMUNITY.WITH OTHING ELSE TO DO WITH THEIR TIME, THE GIRLS DECIDE TO SURF. HEY BECOME VERY GOOD AND ENTER AN ALL-MALE CONTEST.


Blue Crush (Widescreen Collector's Edition) Specifications


Not to be confused with the 2002 feature film of the same title, Blue Crush is billed as the original all-girl surfer's movie, and it's guaranteed to please devotees of the sport. It's a mixed blessing, however, because it assumes familiarity with the sport and its superstars, dispensing with any educational or historical detail that would appeal to neophytes. After all, how can this film be dedicated to Rell Sunn (the pioneer of female competitive surfing, who died in of breast cancer in 1998 at age 47) and fail to explore her illustrious career? This haphazard approach extends to profiles of the young women who regard Sunn as their hero; we learn little of their backgrounds and how they rose to prominence on the waves. Blue Crush works best as a globetrotting, music-video tour of surfdom's prime locations (Samoa, Hawaii, the Gold Coast, South Africa) hosted by the sport's most prominent competitors, including several (Rochelle Ballard, Megan Abubo, Sanoe Lake, Keala Kennelly, Kate Skarratt) who appeared in Universal's popular feature. It's a lot of fun, especially if you "hang ten" on a regular basis. --Jeff Shannon

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