The Cutting Edge - Going for the Gold

The Cutting Edge - Going for the Gold Review

The Cutting Edge - Going for the Gold Overview

CUTTING EDGE:GOING FOR THE GOLD - DVD Movie

The Cutting Edge - Going for the Gold Specifications

Also known as The Cutting Edge 2, Going for the Gold is both a sequel to and a remake of the 1992 film with Moira Kelly and D.B. Sweeney. After their skating careers came to an end, Kate and Doug opened a rink. In addition, he became a sports commentator and she became a coach. Jackie (Christy Carlson Romano, Even Stevens, Kim Possible) is their daughter. Like her parents, she's a figure skater, but an injury forces her to turn to pairs. In the meantime, her parents encourage her to take a vacation. While in California, she meets talented surfer/in-line skater Alex (Ross Thomas), who takes a more "extreme sports" approach to life. The uptight Jackie and laid-back Alex hit it off at first, but their romance quickly fizzles (Doug was a hockey player in the original Cutting Edge). Jackie returns home to start looking for a pairs partner. When Alex hears the news, just as a lucrative endorsement deal has fallen through, he travels to Connecticut to audition. Turns out, he's just as good on the ice as on the asphalt (and in the ocean). A partnership is born. Of course, the two bicker at first--plus Alex has a girlfriend--but as they learn to skate together, true love inevitably blooms. Featuring Olympic gold medallist Oksana Baiul as a skating analyst and Ryan Hansen (Veronica Mars) as one of Alex's surfing buddies. --Kathleen C. Fennessy

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25th Hour

25th Hour Review

25th Hour Feature

• Academy Award(R)-nominee Edward Norton (Best Actor, 1999, AMERICAN HISTORY X) heads an amazing all-star cast in the critically acclaimed Spike Lee (SUMMER OF SAM, DO THE RIGHT THING) film 25th HOUR. In 24 short hours Monty Brogan (Norton) goes to prison for seven long years. Once a king of Manhattan, Monty is about to say good-bye to the life he knew -- a life that opened doors to New York's s

25th Hour Overview

Academy Award(R)-nominee Edward Norton (Best Actor, 1999, AMERICAN HISTORY X) heads an amazing all-star cast in the critically acclaimed Spike Lee (SUMMER OF SAM, DO THE RIGHT THING) film 25th HOUR. In 24 short hours Monty Brogan (Norton) goes to prison for seven long years. Once a king of Manhattan, Monty is about to say good-bye to the life he knew -- a life that opened doors to New York's swankest clubs but also alienated him from the people closest to him. In his last day on the outside, Monty tries to reconnect with his father (Brian Cox, THE BOURNE IDENTITY), and gets together with two old friends, Jacob (Philip Seymour Hoffman, ALMOST FAMOUS) and Slaughtery (Barry Pepper, THE GREEN MILE). And then there's his girlfriend, Naturelle (Rosario Dawson, MEN IN BLACK 2), who might (or might not) have been the one who tipped off the cops. Monty's not sure of much these days, but with time running out, there are choices to be made as he struggles to redeem himself in the 25th hour.

25th Hour Specifications

25th Hour is a eulogy, mourning the New York of post-September 11, 2001, and the regrettable life of one of the city's least reputable citizens. Monty Brogan (Edward Norton) isn't a bad guy--in fact he's a mensch, adopting a battered dog in the film's mood-setting opening scene, and leading a decent life with his girlfriend (Rosario Dawson)... when he's not dealing narcotics. Facing a seven-year prison term, Monty spends his last free night with pals (Barry Pepper, Philip Seymour Hoffman) and visiting his understanding father (Brian Cox), while a Russian drug lord pressures him for getting busted. Lee directs this plotless, no-win scenario as the last gasp of a guy with nowhere to go, and the film (written by David Benioff, from his own novel) suffers from a similar loss of potential, lacking enough focus to make Monty's odyssey compelling. Instead, 25th Hour (which also costars Anna Paquin) rambles from scene to lazy scene, vaguely lamenting that lives have been wasted, some by terrorism, others by self-destruction. --Jeff Shannon

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The Great Debaters

The Great Debaters Review

The Great Debaters Feature

• Denzel Washington directs and stars in this uplifting drama based on a true story about a small East Texas all-black college in 1935 that rises to the top of the nation's debate teams in a duel against Harvard. A poet and debating coach at Wiley College, Professor Melvin Tolson (Washington) sees debating as "a blood sport" and recruits the meanest and brightest, including troubled Henr

The Great Debaters Overview

Two-time Academy Award® winner Denzel Washington (American Gangster) directs and stars with Academy Award® winner Forest Whitaker (Last King of Scotland) in this important and deeply inspiring page from the not-so-distant past (Richard Roeper, At the Movies with Ebert and Roeper). Inspired by a true story, Washington shines as a brilliant but politically radical debate team coach who uses the power of words to transform a group of underdog African American college students into an historical powerhouse that took on the Harvard elite. DVD Special Features:

Deleted Scenes
The Great Debaters: An Historical Perspective. That's What My Baby Likes; Music Video.
My Soul Is A Witness; Music Video
Theatrical Trailer
Sneak Peeks: Grace is Gone, Cassandra's Dream, I'm Not There, Hunting Party

The Great Debaters Specifications

Inspired by real events, the fascinating The Great Debaters reveals one of the seeds of the Civil Rights Movement in its story of Melvin B. Tolson (Denzel Washington in a captivating performance) and his champion 1935 debate club from the all-African-American Wiley College in Texas. Tolson, a Wiley professor, labor organizer, modernist poet, and much else, runs a rigorous debate program at the school, selecting four students as his team in ’35, among them the future founder of the Congress of Racial Equality, James Farmer Jr. (Denzel Whitaker). Washington, who directed The Great Debaters from a script by Robert Eisele (The Dale Earnhardt Story), anchors the story with the team’s measurable progress, but the film is also about the state of race relations in America at the height of the Great Depression. With lynchings of black men and women a common form of entertainment and black subjugation for many rural whites, the idea of talented and highly intelligent African-American young people learning to think on their feet during debates would seem almost a hopeless endeavor. But that’s not the way Tolson sees it, as his students serve themselves and the cause of racial equality in America with energetic arguments in favor of progressive government and non-violence as a viable social movement. There are some startling moments in this movie, particularly the sight of a man found lynched and burned to death, and an extraordinary moment in which we see black sharecroppers and white farmers engaged with Tolson in arguments about unionizing together. Forest Whitaker is outstanding as Farmer’s emotionally-reserved father, also a Wiley professor. This is the kind of film where one hopes two great actors such as the elder Whitaker and Washington will have a scene together, and when it comes it’s as powerful as one might hope. --Tom Keogh

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Walking Tall

Walking Tall Review

Walking Tall Overview

When it comes to laying down the law with a vengeance, one man can make a difference. Action superstar The Rock (The Rundown, The Scorpion King) takes no prisoners as he fights for justice andcrushes corruption in this hard-hitting adventure that's "endlessly enjoyable and a lot of fun" (FOX-TV)! Johnny Knoxville (Jackass: The Movie) co-stars in this "bone-cracking, adrenaline-pumping" (Arizona Daily Star) ride inspired by the true story of a man who decided to take a standand take back his town.

Walking Tall Specifications

The Rock is definitely Walking Tall in this straightforward remake of the popular 1973 revenge flick based on the real-life exploits of Sheriff Buford Pusser. Only the basic premise of the original film remains, but it's well-suited to the Rock's rising-star agenda, and it's a savvy, albeit uninspired follow-up to his previous hit, The Rundown. With typical beefcake bravado, Chris Vaughan (the Rock) arrives home in rural Kitsap County, Washington (filmed in budget-friendly Canada, of course) to find his hometown overtaken by childhood friend-turned-sleazebag casino owner and drug-dealer Jay Hamilton (played with steely-eyed malevolence by Neal McDonough), whose squad of goons includes the local sheriff. The cards are instantly and simplistically stacked against our hero, but no matter: he's soon kickin' ass and takin' names as the new sheriff, and from that point director Kevin Bray (All About the Benjamins) goes strictly by-the-numbers, limiting this punchy programmer to a brisk 85 minutes, with comic relief (courtesy of costar Johnny Knoxville) and an obligatory love-interest (Ashley Scott, in obligatory skimpy attire) tossed in for good measure. It's a cracker movie for a cracker audience, and on those terms it handily expedites the Rock's ascension to the action-movie throne. --Jeff Shannon

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The Lion in Winter

The Lion in Winter Review

The Lion in Winter Overview

Katharine Hepburn delivers an amazing (Variety), OscarÂ(r)-winning* performance 'that must be seen to be believed (Boxoffice) in this dazzling (Los Angeles Times) all-star film that is not to be missed. Behind the great stone walls of an English castle, the world's most powerful empire is in crisis. Three sons struggle to win their father's favoras well as his crown. King Henry II (Peter O'toole) and his queen, Eleanor (Katharine Hepburn), engage ina battle of royal wits that pits elder son Richard (Anthony Hopkins) against his brothers, while the cunning King Philip of France (Timothy Dalton) takes advantage of the internal fracturing in his bid to destroy their kingdom. *1968: Actress

The Lion in Winter Specifications

In this 12th-century version of Who's Afraid of Virginia Woolf?, Henry II of England (Peter O'Toole) and his wife, Eleanor of Aquitaine (Katharine Hepburn), meet on Christmas Eve to discuss the future of the throne. These two are having slight marital problems, as she is kept in captivity most of the year for raising a rebellion against him, and he flaunts his young mistress. Then there are the problems raised by their three treacherous and traitorous sons.

James Goldman won an Oscar® for the brilliant screenplay, based on his Broadway play. It is a tad wordy, as the action is kept to a minimum, but those words are sharp as daggers. The humor is wicked and black and delivered with very dry, dead-on precision. Sparks fly and the screen sizzles whenever Hepburn and O'Toole tango, which is often. Both were nominated for Academy Awards® for their vigorous performances. (She won; he didn't.) There's also an infamous homo-erotic exchange between Philip of France (Timothy Dalton) and Richard the Lionhearted (Anthony Hopkins). Both actors were making their feature-film debuts. --Rochelle O'Gorman

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Into the Storm

Into the Storm Review

Into the Storm Feature

• Into the Storm is a biographical film about Winston Churchill as he leads Britain into World War II. The movie is directed by Thaddeus O'Sullivan and stars Brendan Gleeson, who plays the former British Prime Minister. Into the Storm is a sequel to the 2002 TV movie, The Gathering Storm, which details on the life of Churchill in the years just prior to the war. Also starring Janet McTeer (Five Days

Into the Storm Overview

INTO THE STORM - DVD Movie

Into the Storm Specifications

Into the Storm follows British Prime Minister Winston Churchill (Brendan Gleeson, 28 Days Later) as he launches ferociously into World War II. The movie’s greatest strength comes from a shifting back and forth in time, portraying Churchill’s post-war life as well, when the very qualities that made him so effective as a military leader threaten both his career and his marriage. Anyone seeking a detailed analysis of the war will be disappointed; Into the Storm skips through history, less interested in the ebb and flow of combat than the weighing of decisions and the composition of speeches. Although this may sound uncinematic, Gleeson does a remarkable job articulating Churchill’s creative thoughts as he walks to and fro in his bedclothes, mulling over the right phrase to sustain his country’s morale, or facing FDR and Stalin across a table, working to shape an effective alliance. Janet McTeer (Tumbleweeds) is even better as Clementine Churchill, a woman who never sought the political life yet strove to support her belligerent, passionate husband as best she could. Written by Hugh Whitemore (author of Breaking the Code and The Gathering Storm, to which this is a sort of sequel), Into the Storm is a complex, well-rounded portrait, capturing how courage and indomitability can, in peacetime, turn brutish and bullying. --Bret Fetzer

Stills from Into the Storm (click for larger image)

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The Adventures of Baron Munchausen (20th Anniversary Edition)

The Adventures of Baron Munchausen (20th Anniversary Edition) Review

The Adventures of Baron Munchausen (20th Anniversary Edition) Overview

Director Terry Gilliam (Brazil) and an all-star cast including John Neville, Eric Idle, Oliver Reedand Uma Thurman deliver this tale of the enchanting adventures of Baron von Munchausen on his journey to save a town from defeat. Being swallowed by a giant sea-monster, a trip to the moon, a dance with Venus and an escape from the Grim Reaper are only some of the improbable adventures.

The Adventures of Baron Munchausen (20th Anniversary Edition) Specifications

Monty Python's Terry Gilliam (Fear and Loathing in Las Vegas) directs this wild, wild version of the stories of Baron Munchausen, pushing the limits of 1989 special effects technology to bring us such sights as a horse divided in half and running around in two parts, and a giant Robin Williams with his head flying off his shoulders. Basically, this is a treat for Gilliam fans, as the sustaining idea of the film runs out of steam, and manic energy alone keeps the momentum going. Casual viewers might find it tedious after awhile. There are nice parts for fellow Python Eric Idle, as well as Sting, Alison Steadman, and Uma Thurman as a dazzlingly beautiful Venus on a half-shell. Gilliam had greater artistic and commercial success with Brazil, The Fisher King, and 12 Monkeys. --Tom Keogh

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Platoon (Special Edition)

Platoon (Special Edition) Review

Platoon (Special Edition) Overview

Winner* of 4 Academy AwardsÂ(r), including Best Picture, and based on the first-hand experience of OscarÂ(r)-winning** director Oliver Stone, Platoon is powerful, intense and starkly brutal. "Harrowingly realistic and completely convincing" (Leonard Maltin), it is "a dark, unforgettable memorial" (The Washington Post) to every soldier whose innocence was lost in the war-torn jungles of Vietnam. Chris Taylor (Charlie Sheen) is a young, naive American who, upon his arrival in Vietnam, quickly discovers that he must do battle not only with the Viet Cong, but also with the gnawing fear, physical exhaustion and intense anger growing within him. While his two commanding officers (OscarÂ(r)-nominated*** Tom Berenger and Willem Dafoe) draw a fine line between the war they wage against the enemy and the one they fight with each other, the conflict, chaos and hatred permeate Taylor, suffocating his realities and numbing his feelings to man's highest value life.

Platoon (Special Edition) Specifications

Platoon put writer-turned-director Oliver Stone on the Hollywood map; it is still his most acclaimed and effective film, probably because it is based on Stone's firsthand experience as an American soldier in Vietnam. Chris (Charlie Sheen) is an infantryman whose loyalty is tested by two superior officers: Sergeant Elias (Willem Dafoe), a former hippie humanist who really cares about his men (this was a few years before he played Jesus in Martin Scorsese's The Last Temptation of Christ), and Sergeant Barnes (Tom Berenger), a moody, macho soldier who may have gone over to the dark side. The personalities of the two sergeants correspond to their combat drugs of choice--pot for Elias and booze for Barnes. Stone has become known for his sledgehammer visual style, but in this film it seems perfectly appropriate. His violent and disorienting images have a terrifying immediacy, a you-are-there quality that gives you a sense of how things may have felt to an infantryman in the jungles of Vietnam. Platoon won Oscars for best picture and director. --Jim Emerson

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Mobsters

Mobsters Review

Mobsters Overview

MOBSTERS - DVD Movie

Mobsters Specifications

Somewhat of an excuse to throw together four hot young actors of the moment in a serious environment, Mobsters nonetheless is a decent treatment of the rise of four of the most infamous gangsters of the 20th century. Christian Slater and Patrick Dempsey play Charlie "Lucky" Luciano and Meyer Lansky, respectively, best friends since they were kids on the mean streets of New York. When Prohibition hits, these young ambitious hoods--along with Bugsy Siegel (Richard Grieco) and Frank Costello (Costas Mandylor) make their move to take over the rackets, even as it jeopardizes their friendship. Featuring cameos by Anthony Quinn, Michael Gambon, and F. Murray Abraham, Mobsters is a guilty pleasure if a not too serious one. --Robert Lane

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The Company

The Company Review

The Company Overview

COMPANY - DVD Movie

The Company Specifications

An elegant portrait of artists in the act of creation, The Company is also a ballet lover's dream come true. While this intimate study of the onstage and backstage world of dance may appeal to a limited audience with its casually plotless structure, it's still a unique, accomplished film by one of the greatest American directors. As critic Roger Ebert observed, Robert Altman's film is also an autobiographical reflection of Altman's working methods, in which an ensemble (in this case, Neve Campbell and the dancers of Chicago's celebrated Joffrey Ballet Company) is casually choreographed in an atmosphere of spontaneity that's both dramatically charged and effortlessly authentic. A classically trained dancer, Campbell also coproduced the film, and stars with James Franco (as her easygoing boyfriend) and Malcolm McDowell as the Joffrey's delightfully diva-like artistic director. Featuring stellar performances of the Joffrey's best-known dances, this soothing, hypnotic film is devoid of conventional dialogue, and yet Barbara Turner's screenplay provides a precise roadmap for Altman's masterful choreography of dance, music, and human interaction. --Jeff Shannon

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The Devil Wears Prada (Widescreen Edition)

The Devil Wears Prada (Widescreen Edition) Review

The Devil Wears Prada (Widescreen Edition) Overview

Based on the hilarious best-selling novel, this sinfully funny movie starring Academy Award(r) winner Meryl Streep* and Anne Hathaway is "sensationally entertaining in every way" (maxim). As assistant to impossibly demanding New York fashion magazine editor Miranda Priestly (Streep), young Andy Sachs (Hathaway) has landed a job that "a million girls would die for." Unfortunately, her heaven-sent appointment as Miranda's personal whipping girl just might be the death of her!

The Devil Wears Prada (Widescreen Edition) Specifications

This clever, funny big-screen adaptation of Lauren Weisberger's best-seller takes some of the snarky bite out of the chick lit book, but smoothes out the characters' boxy edges to make a more satisfying movie. There's no doubt The Devil Wears Prada belongs to Meryl Streep, who turns in an Oscar-worthy (seriously!) strut as the monster editor-in-chief of Runway, an elite fashion magazine full of size-0, impossibly well-dressed plebes. This makes new second-assistant Andrea (Anne Hathaway), who's smart but an unacceptable size 6, stick out like a sore thumb. Streep has a ball sending her new slave on any whimsical errand, whether it's finding the seventh (unpublished) Harry Potter book or knowing what type she means when she wants "skirts." Though Andrea thumbs her nose at the shallow world of fashion (she's only doing the job to open doors to a position at The New Yorker someday), she finds herself dually disgusted yet seduced by the perks of the fast life. The film sends a basic message: Make work your priority, and you'll be rich and powerful... and lonely. Any other actress would have turned Miranda into a scenery-chewing Cruella, but Streep's underplayed, brilliant comic timing make her a fascinating, unapologetic character. Adding frills to the movie's fun are Stanley Tucci as Streep's second-in-command, Emily Blunt (My Summer of Love) as the overworked first assistant, Simon Baker as a sexy writer, and breathtaking couture designs any reader of Vogue would salivate over. -- Ellen A. Kim

Beyond The Devil Wears Prada

The Devil Wears Prada: A Novel

The Devil Wears Prada Soundtrack

Prada Handbags

Stills from The Devil Wears Prada (click for larger image)

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Man Who Would Be King

Man Who Would Be King Review

Man Who Would Be King Feature

• MAN WHO WOULD BE KING, THE (DVD MOVIE)

Man Who Would Be King Overview

Studio: Warner Home Video Release Date: 11/09/2010

Man Who Would Be King Specifications

A grandly entertaining, old-fashioned adventure based on the Rudyard Kipling short story, The Man Who Would Be King is the kind of rousing epic about which people said, even in 1975, "Wow! They don't make 'em like that anymore!" When director John Huston (The Maltese Falcon, The Treasure of the Sierra Madre, The African Queen) first started trying to make the film, with Gable and Bogart, the project was derailed by the latter's death. It was a few decades before Huston was able to finally realize his dream movie--and with an unimprovable cast. Sean Connery and Michael Caine are, respectively, Daniel Dravot and Peachy Carnahan, a pair of lovably roguish British soldiers who set out to make their fortunes by conning the priests of remote Kafiristan into making them kings. It's a rollicking tale, an epic satire of imperialism, and the good-natured repartee shared by Caine and Connery is pure gold. In today's screen adventures, humor is usually imposed on the material by a writer or director trying to make some kind of cleverly self-aware comment ("Hey, we know it's a movie!"), but that sort of jokiness can create so much ironic distance that it pushes the audience right out of the picture. Huston lets the humor emerge naturally from the characters, for whom we wind up caring more deeply than we ever expected. --Jim Emerson

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